A Quote by Joanna Coles

I don't like the tropes, particularly in my industry, that the senior women are mean to the junior staff. — © Joanna Coles
I don't like the tropes, particularly in my industry, that the senior women are mean to the junior staff.
It was important for me to join the White House because as I looked around Trump's inner circle and campaign, there were not a lot of African-Americans, particularly African-American women, uniquely positioned to serve as a member of the senior staff, to serve as an assistant to the president.
...The asbestos industry...has for decades successfully suppressed and manipulated information on the carcinogenicity and other hazards of asbestos. Involved in this conspiracy network were senior industry executives, their medical staff, attorneys, insurance companies, trade associations, scientific consultants, and commercial labs.
I acted in junior high in the junior high school group, and then when I got into senior high I was, you know, the main actor of the senior high school.
We have a lot of women on the staff, obviously. It's a predominantly female writing staff and we hire the best people. It's not like we go we need more women or we need four women directing.
I love what happens between colleagues. It's just another facet of family to me. That's certainly what we explored all over 'The West Wing'. I was an intern in my first season between my junior and senior years of college. Then, I worked on the staff for the next six years.
I did not have a date to the prom. I went to my junior prom alone, and my senior prom, I was doing my first movie. I went in a limousine with, like, a bunch of people to my junior prom. It was a group date.
My wife and daughters work. My campaign manager in 2005 was a working mother. I appointed 5 women to my senior staff as Attorney General.
Answer e-mails from junior people before more senior ones. Junior people have further to go and tend to remember who slighted them.
I think we have a long way to go in the entertainment industry, particularly in movies, but I feel like in television, there's somebody is finally saying, 'Hey, women have stories to tell, and oddly enough, women want to hear them.'
I have a senior staff meeting every day, with key personnel who interface with the players - coaches, the medical staff, our analyst department. This is a useful exercise as it means we are all across what is happening and they are aware of my expectations.
During the summer of 1963 between my junior and senior years, I began a research project on hypothermia in the Department of Surgery with Sidney Wolfson. I quickly became fascinated by the project and continued working on it throughout my senior year.
I actually think if you have a strong junior class, that's the best possible scenario. In their senior year, guys who are on the threshold of making it to the NBA start getting preoccupied in their thoughts elsewhere more than concerning themselves with the present. The junior class is the perfect age.
I create women characters by watching the female staff at my studio. Half the staff are women.
I was taking electives, and that branched into theater. Theater led to me taking a break during the summer between my junior and senior year. After I graduated, I ended up moving out to L.A. But in my senior year, I made it a part of my major.
American women mean a great deal to me. They're such lost souls, particularly the women of my generation. And women need so much help. They never have anyone to turn to. I help them understand how they can look better, how to do this, do that, get a job. And they're very trusting. Like little lost kids.
The young adult category is particularly interesting to me in terms of science fiction and fantasy tropes.
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