A Quote by Joanna Trollope
I don't always set stories in villages, more often in towns. But always in smallish communities because the characters' actions are more visible there, and the dramatic tension is heightened.
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I've always set my stories in places I know well. It frees me up to spend more imaginative time on the characters if I'm not worrying about the logistics.
Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring.
Characters that are not the norm or a bit out of the ordinary are always a challenge as an actress. You learn more by using different tools for those type of characters. They are always much more fun to play and much more interesting. They take you places that you wouldn't necessarily go in your everyday life.
Once Indians become more visible in pop culture and thus more humanized, then it actually chips away at discrimination. Especially after 9/11, it became important for those stories and that human element, for the Muslim, the Hindu, the Sheikh communities to be heard. That's what I hope I get at with the music.
I've always preferred drag roles, because typically I get better costumes and I've always felt more connected with the female characters in my favorite shows than most of the male characters.
It's nice to see more of those meaty female characters emerging because so often in the industry, it's always about the males.
If you go out on the Appalachian Trail, you have to bring so much more equipment - a tent, sleeping bag - but if you go hiking in England, or Europe, generally, towns and villages are near enough together at the end of the day you can always go to a nice little inn and have a hot bath and something to drink.
I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.
It's always interesting researching characters and as I get older and the more that I work in this business, I do more and more of it because I realize how important it is.
With each film, I get more and more involved and it's more and more time-consuming. Also, I like to break myths and people's preconceived ideas. My characters have always stood for something, have always had an opinion, although they've never really rebelled.
"Externality" is a different phenomenon from akrasia and doesn't always come with it. The set of desires and actions from which one feels alienated isn't always the same as the set of desires and actions of which one disapproves. It has been pointed out that you can disapprove of something inside yourself but still experience it as yours ("damn it, here I go again!"). In addition, you can approve of something inside yourself but feel like it's not yours ("when the emergency sirens went off, it was as if someone calmer and more reasonable took over and knew just what to do").
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
I have always included minority characters in my stories, often as heroes.
A more courageous empathy is needed in our country to see the struggles of people from factory towns to farm towns to city towns who can't even afford the rent in their cities anymore because costs are going so high.
I've always tried to stray towards characters who are way more faceted than your standard leading man role, and I've been fortunate to play some parts who have this awkward tension to them.
The more I come to understand music, the more I feel like a numbskull because there is always more to learn. The more I do it, the more I'm humbled. I'm just always trying to get better at it. I pick up a few tricks along the way.
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