A Quote by Jodie Comer
As an actor, you have to find reasons why your character made her decisions, and you have to empathise with her.
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The decisions that Ellen made on her show were between her and her producers. I supported her decisions. I was there to hug her when she got home.
To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.
Developing a character with genuine depth requires a focus on not just desire but how the character deals with frustration of her desires, as well as her vulnerabilities, her secrets, and especially her contradictions. This development needs to be forged in scenes, the better to employ your intuition rather than your intellect.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
One day, lad, your eyes will light upon a woman, and you will never forget that glint in her eye, that toss of her head, or sway of her hips. You will dream of her, whether you are asleep of awake. She will possess your mind, and your body will be on fire for her. Nothing will ever erase the linger of her scent in your nostrils, the touch of her hand on your body, the feel of her flesh beneath your fingers. When you find a woman to love, Cnut, your life changes forever.
Eleanor Roosevelt had both her admirers and her detractors. And they admired her and detracted from her for many of the same reasons. People who liked her social activism, who thought that she was calling attention to problems that needed solving, were all for her.
All of us--all who knew her--felt so wholesome after we cleaned ourselves on her. We were so beautiful when we stood astride her ugliness. Her simplicity decorated us, her guilt sanctified us, her pain made us glow with health, her awkwardness made us think we had a sense of humor. Her inarticulateness made us believe we were eloquent. Her poverty kept us generous. Even her waking dreams we used--to silence our own nightmares.
I find that’s one of the great things about acting-you have the opportunity to stand in somebody else’s shoes. Each character faces a dilemma in her life, and as an actor you’re able to step into that character’s skin, look through her eyes. You leave transformed, a different person, because once you live a little bit of someone’s life, it changes you.
As an actor it's your job to empathise with your character regardless of whether they have a different sexual orientation, spiritual beliefs, or anything.
She regretted nothing she had shared with her lover, nor was she ashamed of the fires that had changed her life; just the opposite, she felt that they had tempered her, made her strong, given her pride in making decisions and paying the consequences for them.
Why did Mama say that? Had Papa made her angry again? He made her angry a lot. Gran said it was on account of his "hores." One time Celia asked Nurse what a hore was, and Nurse paddled her and told her that was a bad word. Then why did Papa have them?
So your strength is failing you? Why don't you tell your mother about it? ... Mother! Call her with a loud voice. She is listening to you; she sees you in danger, perhaps, and she-your holy mother Mary-offers you, along with the grace of her son, the refuge of her arms, the tenderness of her embrace ... and you will find yourself with added strength for the new battle.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
The key to making healthy decisions is to respect your future self. Honor him or her. Treat him or her like you would treat a friend or a loved one. A Stanford study showed that those who saw a photo of their future self made smarter financial decisions.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
A woman uses her intelligence to find reasons to support her intuition.
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