A Quote by Jodie Comer
To read a piece of material from a period drama told from the woman's perspective is just so unique.
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Without a doubt, the majority of historical period dramas tend to be told from a certain perspective. At least in America, black people have some visibility in period dramas, although it's usually in the form of slaves or servitude.
I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.
The Nineties was such an incredible period. There was this real sense of community and such a uniqueness to it. There were unique personalities, unique bands, unique lyrical takes. A lot of artistic expression. It was this real renaissance that was exciting to be a part of. It's hard to not look back on that period and say, "Yeah, it was crazy. But it was crazy good."
Definitely the biggest misconception is that it is overly burdensome to be a woman and pursue this line of work. But being a woman gives me a unique perspective and style, which is probably why I get the work that I do.
In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.
I've been a fan of 'High Maintenance' since it was on Vimeo. My husband and I were obsessed with it. It's one of the best things ever made, period. It's a completely unique perspective.
Frankly, Django is an American story that needs to be told, when you think of slavery existing in this country for 245 years. In slave narratives there were all types of tales and drama and heroism and pain and love that happened during that time. That's rich material for drama! Everyone complains that there are no new stories left to tell. Not true, there are a whole bunch of them, and they're all American with a capital A.
It's intuitive in terms of when I read a piece of material or I hear about a project. I'm a writer, so I've written movies. I've read at this point thousands and thousands and thousands of screenplays. So if something gets me, then I don't ignore that.
I just read the scripts that come to me, and I see the ones which I really kind of understand and connect with, whether that's a science fiction or a period piece. It doesn't really matter as long as they're original and I have something to do with the character.
When I read period material - and it ain't on Google - I am always alert for that one incredible detail. I'll read a whole book and get three words out of it, but they'll be three really good words.
Directing is a reactionary job more than a creation job. The job is to react whether it's moment one, the first time you read the script or see an article or read a book or notice something happen on the street and have an idea for a movie, and it just continues from there on in. You're just reacting to dialogue, a performance, an audition, a headache, a piece of furniture, a piece of clothing.
Given the choice between trivial material brilliantly told versus profound material badly told, an audience will always choose the trivial told brilliantly.
In the 90's action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece.
I also have a role model back in New Zealand, a woman called Miranda Harcourt. She's an actress and a writer. Her willingness to stay open to material is really great. I read a lot, and I try to watch and listen to diverse material.
A mother has a unique perspective. Nobody sees the life of the child the way the child’s mother does—not even the father. This is Mary’s perspective of Jesus life. It seems to me that every genuine Christian, not just Catholics, should be interested in that perspective—and not just interested, but fascinated. In the rosary we ponder the life of Jesus through the eyes of his mother. This is an incredibly powerful experience if we enter into it fully
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