A Quote by Jodie Foster
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
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I still get stage fright horribly. I still get nervous. I do tend to find when you're playing characters, often - just for the time you're playing them - there are sides of your personality that get stronger because you draw on them more.
My spirituality is more private. I've got my own personal relationship with god. I know that there's a god because I was able to survive everything that I've been through - all of the tough times - and I'm still at the top of my game. With all the rumors and all the hate, I'm still strong, still happy, still blessed.
My standards are so high because of who I serve but it doesn't put any water on my fire for winning. I'm still an intense person. You can be intense and saved. You can compete and still be saved. You can challenge a guy and still be saved. There was nothing soft about me as a player and there isn't anything soft about me as a coach. You want to be a man of integrity and you want the players to know that you care about them. Whether or not they still like you or not is a whole other deal.
I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them.
Today I will tell myself that I'm lovable. Just because some people haven't been able to love me in ways that worked doesn't mean that I'm unlovable. I've had lessons to learn, and some of them have hurt deeply, but I can still love, and I still am loved.
There are still places to go, there are still dinners, there are still parties, and you can still get dressed up. That's part of having fun in fashion.
There's some debate as to whether you need to awaken from them because there are some patients who are actually starting to say, "I had these horrible nightmares, but I never woke up from them." But they can still recall them when they get up in the morning. So there's still some debate in the field.
I have a penchant for playing characters that have been victimized repeatedly and still stood their ground and still remained unembittered.
To me, what I define as defiance, in some ways, is knowing the "reality" and having the ability to possess a realist mindstate yet still working towards the fantasy and still being childish. While still having the understanding and capacity that would generally inspire pessimism: some sort of more realist perspective that I think most people classify as adult. Anything like that and anything that's sort of fun.
Birdie is amazing and such an incredible child and I'm having such a great time being a mom but I still want to have a career and I still look forward to auditions and parts, and when I don't get them I'm disappointed.
We still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
I've still got my characters in my head, and I can still hear them. When I go to the grocery store, I hear them.
I look at other people's lives, and some people feel like they're too old to play with toys. But I still go through the toy section at the store, 'cause there were toys that I wanted when I was little that I couldn't have. So I still get them.
This society in which knowledge workers dominate is in danger of a new "class conflict" between the large minority of knowledge workers and the majority of workers who will make their livings through traditional ways, either by manual work... or by service work. The productivity of knowledge work - still abysmally low - will predictably become the economic challenge of the knowledge society. On it will depend the ability of the knowledge society to give decent incomes, and with them dignity and status, to non knowledge people.
I'm still working! I think of all the other comics that didn't get the light shined on them, just because it's just how fame works, and it's unfortunate. But there are so many great comics out there who are still working, and I still see them.
We were still able to see the phone records of a potential terrorist cause, we held them, now you have to hope the phone company still has them, you have to argue with their chief counsel by the time you get access to it, and try to find out who they've been talking to before it's too late.
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