A Quote by Jodie Evans
Each time a woman has the courage to act and share her truth, she plants wonderful seeds. Each such seed offers freedom and power to those around her, and in this way we bring the world closer together and closer to peace.
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She smiled, pulling the photo a little closer, and I wondered if I should ask her, too, the question for my project, get her definition. But as she ran a finger slowly across the faces, identifying each one, it occurred to me that maybe this was her answer. All those names, strung together like beads on a chain. Coming together, splitting apart, but still and always, a family. (page 289) ~Ruby
We have to work together. We have to support each other. When we hear about a wonderful woman, we have to tell other women about her. Help her, prop her up. Give her what she needs. That's a big lesson.
In her heart she is a mourner for those who have not survived. In her soul she is a warrior for those who are now as she was then. In her life she is both celebrant and proof of women's capacity and will to survive, to become, to act, to change self and society. And each year she is stronger and there are more of her.
If Rihanna stripped it all down morally rather than with her clothes, perhaps we'd get closer to Nina Simone. She's talented, but all we want is to sing the truth. If Britney Spears was to sing closer to her heart, she might have been the new Bobby Gentry or Dolly Parton.
I saw this girl dancing, and I moved closer to her because I liked the way she looked, haughty and sexy but not in a slutty way, and when I got closer to her, I realized she was me and I was looking at my reflection in the mirror. I looked like the kind of girl I'd always wanted to befriend.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
You could say that Elphaba brought us together,' said Boq softly. 'I'm closer to her and so I'm closer to you.' Galinda seemed to give up. She leaned her head back on the velvet cushions of the swing and said, 'Boq, you know despite myself I think you're a little sweet. You're a little sweet and you're a little charming and you're a little maddening and you're a little habit-forming.' Boq held his breath. But you're little!' she concluded. 'You're a Munchkin, for god's sake!' He kissed her, he kissed her, he kissed her, little by little by little.
[My favourite are] the films of Agnes Varda, because of her sense of humor and the intimate, personal way she tells her stories. She is brave in taking creative risks, and her curiosity in others is so contagious. This brings me closer to the subjects in her films.
She often spoke to falling seeds and said, "Ah hope you fall on soft ground," because she had heard seeds saying that to each other as they passed. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.
There is simply no dignified way for a woman to live alone. Oh, she can get along financially perhaps (though not nearly as well as a man), but emotionally she is never left in peace. Her friends, her family, her fellow workers never let her forget that her husbandlessness, her childlessness - her selfishness, in short - is a reproach to the American way of life.
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
To emancipate woman is to refuse to confine her to the relations she bears to man, not to deny them to her; let her have her independent existence and she will continue nonetheless to exist for him also: mutually recognising each other as subject, each will yet remain for the other an other...when we abolish the slavery of half of humanity, together with the whole system of hypocrisy that it implies, then the 'division' of humanity will reveal its genuine significance and the human couple will find its true form.
And I’ve found that, what I now want the most in a woman is—I want a partner. I want someone who is my partner in life. Who supports me, and I support her. I can share all my experiences in life with her, and she can share hers back with me. Not only do we love each other, but we accept, embrace, nurture, and care for each other.
I go back and forth as to whether I think Nancy Pelosi's really this dumb or not. Although, every time I hear her speak I get closer and closer to concluding that she is this dumb.
What's so lovely about Wonder Woman is yes, she has the strength and power of a goddess, but she has the heart and mind of a human. So I play her as I think a woman like me would act in the situations she's going through. You treat her as a normal woman who happens to be fantastic and almighty.
Her life was a slow realization that the world was not for her and that for whatever reason she would never be happy and honest at the same time. She felt as if she were brimming always producing and hoarding more love inside her. But there was no release. table ivory elephant charm rainbow onion hairdo violence melodrama honey...None of it moved her. She addressed the world honestly searching for something deserving of the volumes of love she knew she had within her but to each she would have to say I don't love you.
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