A Quote by Joseph Gordon-Levitt

Quality isn't about where the money came from or which company gets to put their name on the thing. What matters is who made the movie and why they made it. — © Joseph Gordon-Levitt
Quality isn't about where the money came from or which company gets to put their name on the thing. What matters is who made the movie and why they made it.
You ever watch a football game and get totally into it? Why? It's not a real battle. It's just a game somebody made up. So how can you take it seriously? Or, you ever see a movie that made your heart about jump out of your chest? Or one that made you cry? Why? It wasn't real. You ever look at a photo of food that made your mouth water? Why? You can't eat the picture. . . . . . Same thing with water towers and God. I don't have to be a believer to be serious about my religion.
I'm sticking to what I've always said, either the right movie gets made or no movie gets made.
You still get the movies made. A filmmaker can always scrape up money to do a movie. The passion drives it. And you'll get the money. Money's the easiest thing. But the hardest thing is finding a way for people to see your movie.
I’d say that Berkshire Hathaway’s system is adapting to the nature of the investment problem as it really is. We’ve really made the money out of high quality businesses. In some cases, we bought the whole business. And in some cases, we just bought a big block of stock. But when you analyze what happened, the big money’s been made in the high quality businesses. And most of the other people who’ve made a lot of money have done so in high quality businesses.
I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.
We [The Replacements] never made any money on tour. None of us came out of the school of economics. We took it for granted that a rock and roll band gets ripped off. We've tried to shake that tree a couple of times, but what can we do? You look back, when you're sort of idle in your middle years, and think, we should have made some money.
Any movie that gets made and ends up in a position where people are coming to talk about it, it's not a small thing.
The biggest mistake, in general, I've made, is to put too much of a weighting on someone's talent and not enough on their personality. And I've made that mistake several times. I think it actually matters whether somebody has a good heart, it really does. I've made the mistake of thinking that it's sometimes just about the brain.
I made this movie for $40,000, which was this little black-and-white horror film called Dementia 13, which we made in about nine days.
I am Ubik. Before the universe was, I am. I made the suns. I made the worlds. I created the lives and the places they inhabit; I move them here, I put them there. They go as I say, then do as I tell them. I am the word and my name is never spoken, the name which no one knows. I am called Ubik, but that is not my name. I am. I shall always be.
What people forget is that every movie that gets made keeps making money for somebody FOREVER.
One of the things about Derek Jarman was that he was a painter who worked alone when he painted, but I firmly believe that one of the reasons he made films was for the company. He made filmmakers of all of us, that's the truth. I don't mean he necessarily made directors, but he made us filmmakers. Because we lived in a state of mutual responsibility for what we made.
There's a thing about Hollywood where there are at least a couple of guys that behind closed doors and in small circles we think of as having a magical P.T. Barnum quality. Which is to say, they may not be the most talented, and they may not be the smartest, but their movies made money or won awards, so they move ahead.
Sometimes I watch films that I can't believe got made. Especially because I read scripts that are truly incredible, that will never get made. I don't know who is behind those decisions. It's like you just have to doodle something on a page about the underdog who finally gets the girl and the film gets made.
Whenever money is in the game, it can suffocate anything and anyone else, and I think people have been misled by money, or the dream of money, or selling the dream that if you've made it money-wise, you've made a life. Which is a lie. You don't get happiness by money.
Artists shouldn't be made famous. They have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance... It is man-made so the press can feed off it.
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