A Quote by Joseph Campbell

The function of the artist is the mythologization of the culture and the world. In the visual arts there were two men whose work handled mythological themes in a marvelous way: Paul Klee and Pablo Picasso.
I read once that [Pablo] Picasso felt if an artist ever felt totally satisfied with a work she ceased to be an artist. With that in mind, it seems like goals are a terrible idea then.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
The function of artists is "the mythologization of the world."
In the visual arts, for example, the semiological approach to graphics provides a rigorous analysis of the visual means used by the artist. It defines the basic properties and laws governing the arts and suggests objective criteria for art criticism.
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
To me, James Harden is like basketball's Picasso - he's an artist whose work you respect, even if you don't always understand its significance until later. (Or maybe Van Gogh or some other artist - I'm not an art history buff, but you get my point).
Our farm is a 15-minute walk to Pablo Picasso's last home. Alongside it stands the lovely Notre-Dame-de-Vie Chapel with its 13th-century bell tower, which was visible to Pablo from his atelier.
The disintegration of the culture starts with the artist. I'm on a crusade to turn the tide in the arts, to restore dignity to the arts and, by extension, to the culture.
The disintegration of the culture starts with the artist. Im on a crusade to turn the tide in the arts, to restore dignity to the arts and, by extension, to the culture.
[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
We are the two great painters of this era; you are in the Egyptian style, I in themodern style. (to Pablo Picasso)
Throughout my life, there are four people I've met who were truly original people. The other three were Groucho Marx, Jim Morrison, and Pablo Picasso.
Throughout my life, there are four people I've met who were truly original people. The other three were Groucho Marx, Jim Morrison and Pablo Picasso.
I should also mention that the Neue Galerie is piping music into the galleries where "Klee and America" is hanging, a practice for which vulgar is not even close to the word. Yes, I like Schumann's Carnaval, but I'm damned if I know why anybody thinks the paintings of Paul Klee profit from being viewed with Carnaval playing in the background.
I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.
There is a childlike side in the work of the Dadaists, Klee, Miró, Calder and Picasso. I am trying to make things that are very, very serious, and what comes out of it is things that are quite friendly, gay, and sometimes even amusing. [Chaim] Soutine tried to work like Rembrandt, and yet there is nothing of Rembrandt in his pictures.
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