A Quote by Joseph Campbell

The two greatest works of war mythology in the west ... are the Iliad and the Old Testament... When we turn from the Iliad and Athens to Jerusalem and the Old Testament we find a single-minded single deity with his sympathies forever on one side. And the enemy, accordingly, no matter who it may be, is handled... pretty much as though he were subhuman: not a "Thou" but an "It."
You know, the New Testament is pretty old. I think they should call them the Old Testament and the Most Recent Testament.
The Old Testament contains fabulous elements. The New Testament consists mostly of teaching, not of narrative at all: but where it is narrative, it is, in my opinion, historical. As to the fabulous element in the Old Testament, I very much doubt if you would be wise to chuck it out.
In the Old Testament, we are continually told that our good works are not enough, that God has made a provision. This provision is pointed to at every place in the Old Testament.
The Odyssey is, indeed, one of the greatest of all stories, it is the original romance of the West; but the Iliad, though a magnificent poem, is not much of a story.
It's not as if the New Testament writers came along and said, "The culmination of Old Testament books is more books, New Testament books." In some ways they thought instead of the culmination of Old Testament books being Christ himself, the word incarnate as the opening verses of Hebrews 1 put it. In the past God spoke to the fathers by the prophets, but in these last days he has spoken to us by his son and the son is revelation.
Recognize in this bread what hung on the cross, and in this chalice what flowed from His side... whatever was in many and varied ways announced beforehand in the sacrifices of the Old Testament pertains to this one sacrifice which is revealed in the New Testament.
The early Church had nothing but the Old Testament. The New Testament lies hidden in the Old; the Old Testament lies open in the New.
The New Testament rests itself for credulity and testimony on what are called prophecies in the Old Testament, of the person called Jesus Christ; and if there are no such things as prophecies of any such person in the Old Testament, the New Testament.
The 'Iliad' covered only two months of the great ten-year war with Troy. At least six other epic poems preceded or continued the events in the 'Iliad', but they survive only as fragments.
The best description of the Old Testament that I heard was that it starts out as mythology, then it becomes legend, then it becomes history. In the mythological period - there is a distinct mythological period in the Old Testament, where the time spans are impossible and really just imagined.
There is a gift of the Holy Spirit that is given to both men and women in the New Testament. This is what makes the New Testament a New Testament rather than the Old Testament, in which women did not have such privileges.
The negative penalties of the Old Testament case laws were not harsh but just, not a threat to society but rather the necessary judicial foundation of civic freedom… the Old Testament was harsh on criminals because it was soft on victims.
Whoever thou art, whatever in other respects thy life may be, my friend, by ceasing to take part (if ordinarily thou doest) in the public worship of God, as it now is (with the claim that it is the Christianity of the New Testament), thou hast constantly one guilt the less, and that a great one: thou dost not take part in treating God as a fool by calling that the Christianity of the New Testament which is not the Christianity of the New Testament.
It's hard to write a war story without thinking about the 'Iliad.' Because the 'Iliad' knows everything about war.
All the men of the Old Testament were polygamists, and Christ and Paul, the central figures of the New Testament, were celibates, and condemned marriage by both precept and example.
'Troy' is an adaptation of the Trojan War myth in its entirety, not 'The Iliad' alone. 'The Iliad' begins with the quarrel between Achilles and Agamemnon over the slave girl Briseis nine years into the war. The equivalent scene occurs halfway through my script.
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