A Quote by Joseph Morgan
Vampires are a genre now.
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So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.
What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.
Aaron Spelling was a huge fan of vampires, and everything in that genre. He just really loved the entire subject of vampires and he was really passionate about it. If you really like the idea of this other world and the intricacies of it, because there were a lot of them, and once you're hooked, it's always something that's a fascination to you.
If you look at all the vampires in the past, they were sort of decrepit old men. Stephanie Meyers just made it for a new audience. All the vampires are now young men and she describes them as not being ugly.
My children are vampires. I don't mean that they are going to dress as vampires for Halloween. I mean that, like vampires, they cannot be captured on film.
Kim Newman's Anno Dracula is back in print, and we must celebrate. It was the first mash-up of literature, history and vampires, and now, in a world in which vampires are everywhere, it's still the best, and its bite is just as sharp. Compulsory reading, commentary, and mindgame: glorious.
…We were born vampires." "I thought you became –" "— vampires by being bitten? Dear me, no. Oh, we can turn people into vampires, it’s an easy technique, but what would be the point? When you eat… now what is it you eat? Oh yes, chocolate… you don’t want to turn it into another Agnes Nitt, do you? Less chocolate to go around." He sighed. "Oh dear, superstition, superstition everywhere we turn.
Vampirism is like celebrity now. Vampires are these eternally young, thin, sexy apparitions of perpetual nightlife and absolutely nothing like their folkloric European boogeyman predecessors. We don't even make our vampires sleep in coffins anymore, or the ground.
There were things out there in the world, things that vampires feared, and now those things were here. She was only seconds out of a very light, fitful sleep, but she knew that the nightmares had followed her effortlessly right into the real world. The draug. They weren’t vampires; they were something else, something that moved through water, formed out of it, dragged vampires down to a slow and awful death.
Vampires Are Us: Understanding Our Love Affair with the Immortal Dark Side,” is now out! Quote: “Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury.
I'm 48, and I have been in love with vampires since I was six. I was born in 1962, so I've been through three or four waves of vampires. When I was growing up, we had vampire shows and movies. We were still dealing with Bela Lugosi, Boris Karloff and the old Christopher Lee vampires.
I am a big fan of vampires. I've always been obsessed with the genre, and the beautiful romanticism and erotic kind of nature of the immortal being, the undead who lives on human blood.
The zombie threat is made worse by the fact that their victims then turn into the creature that attacked them. This too is similar to other monsters (werewolves and vampires) and also similar to the sub-genre of infection/plague films. In the case of zombies, however, this may carry a greater sense of dread and revulsion: vampires and werewolves can be seen as desirable, potent, intelligent, virile creatures whom one might like -- in some way at least -- to become; a mindless ghoul condemned to wander aimlessly across an empty, ruined earth seems much less attractive.
I was thinking about vampires and, specifically, about what makes vampires a romantic trope: about what people like about not just vampires but supernaturally long-lived creatures in general, which is a thing that shows up in probably fifty to sixty percent of paranormal romances... And then, for some reason, I decided to reverse it.
Everything is very convenient now and it would be real nice if somehow people started going back to the movie theater. And it's people of my generation. It's their fault in a lot of ways, people over 40. It's their fault that the only movies are about robots and beautiful vampires. It's wild, all vampires are beautiful.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
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