A Quote by Joseph Roth
I believe that my observations have always led me to find that the so-called realist moves about the world with a closed mind, ringed as it were with concrete and cement, and that the so-called romantic is like an unfenced garden in and out of which truth can wander at will.
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I have been called romantic. Well, that can't be helped. But stay. I seem to remember that I have been called a realist also. And as that charge too can be made out, let us try to live up to it, at whatever cost, for a change.
That is the purpose for which you are called hither. Called, is say, though I have not called you to me, strangers from distant lands. You have come and are here met, in this very nick of time, by chance as it may seem. Yet it is not so. Believe rather that it is so ordered that we, who sit here, and none others, must now find counsel for the peril of the world.
When the world changed, people were different. Towns closed, cities were boarded up, communities abandoned, their governments collapsed. They seemed to have no qualms that were obvious to you or me about walking away from what they called a useless pile of rubbish, and never looking back.
The so-called world knows everything about Slobodan Milosevic. The so-called world knows the truth. But I don't know the truth. But I watch. I feel. I remember. I question.
Still, no one finally knows what a poet is supposed either to be or to do. Especially in this country, one takes on the job—because all that one does in America is considered a "job"—with no clear sense as to what is required or where one will ultimately be led. In that respect, it is as particular an instance of a "calling" as one might point to. For years I've kept in mind, "Many are called but few are chosen." Even so "called," there were no assurances that one would be answered.
People knew there were two ways of coming at truth. One was science, or what the Greeks called Logos, reason, logic. And that was essential that the discourse of science or logic related directed to the external world. The other was mythos, what the Greeks called myth, which didn't mean a fantasy story, but it was a narrative associated with ritual and ethical practice but it helped us to address problems for which there were no easy answers, like mortality, cruelty, the sorrow that overtakes us all that's part of the human condition. And these two were not in opposition, we needed both.
This is a world that defines everything backwards, a world in which good is called bad, brightness is called darkness, up is called down, enlightenment is called abnormal behavior and abnormal behavior is applauded as reason.
All things issue from it; all things return to it. To find the origin, trace back the manifestations. When you recognize the children and find the mother, you will be free of sorrow. If you close your mind in judgements and traffic with desires, your heart will be troubled. If you keep your mind from judging and aren't led by the senses, your heart will find peace. Seeing into darkness is clarity. Knowing how to yield is strength. Use your own light and return to the source of light. This is called practicing eternity.
My 22-minute film, which I called 'The Sword and the Flute', turned out to be a romantic film about India made by someone who had never been to India, but who already had very romantic feelings about everything Indian.
In 22 years of acting, I've only done two movies where I, personally, kill people. The Coens called me the Spanish Ballerina on (the No Country For Old Men) set, because every time I had the gun, when they called cut, I'd give it back and say, 'Take this s**t out of my hands!' There were laughing, like they couldn't believe I was supposed to be the villain.
Even through my good-looking youth, I wasn't called on for any romantic parts, which is okay. What I was called on to do, I enjoyed doing. The funny thing about life is that if you live long enough, I think, you'll get every wish you ever had. It'll all come true.
We don't want anything from the government but that furtive little fellow called the truth - which, by the way, they'll never give you - which you have to go out and find by talking to people.
I wrote a novel called "Blonde," which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
I wrote a novel called 'Blonde,' which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
The elephant which supports the world is called Muha-pudma, and the the tortoise which supports the elephant is called Chukwa. In some of the Eastern mythologies we are told that the world stands on the backs of eight elephants, called Achtequed-jams.
My colleagues thought I was an embarrassment because I was talking about mind, body, spirit. So I was called a quack. I was called a fraud, which I initially resented, but then I got used to it.
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