A Quote by Joseph C Zinker

It is in [the] process of making something... that the creator contacts a concrete reality outside his subjective life and moves into the realm of the transcendent. — © Joseph C Zinker
It is in [the] process of making something... that the creator contacts a concrete reality outside his subjective life and moves into the realm of the transcendent.
In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.
The great genius does not let his work be determined by the concrete finite conditions that surround him, whilst it is from these that the work of the statesman takes its direction and its termination. ... It is the genius in reality and not the other who is the creator of history, for it is only the genius who is outside and unconditioned by history.
My journey deep into coma, outside this lowly physical realm and into the loftiest dwelling place of the almighty Creator, revealed the indescribably immense chasm between our human knowledge and the awe-inspiring realm of God.
There is no transcendent creator in animism, no god who set the clocks ticking and decides which ones to fix when they falter; nothing exists outside of nature. In other words, my philosophy does not require that I believe in something I cannot experience directly.
Life on the planet and in our galaxy is so complex, I don't hope to have any substantial effect in it, but if I can touch a few people deep in their psyche, by making my personal subjective journey concrete for others, then I am very happy.
Language can't describe reality. Literature has no stable reference, no real meaning. Each reader's interpretation is equally valid, more important than the author's intention. In fact, nothing in life has meaning. Reality is subjective. Values and truths are subjective. Life itself is a kind of illusion. Blah, blah, blah, let's have another scotch.
It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.
The stream of knowledge is heading towards a non-mechanical reality; the universe begins to look more like a great thought than like a machine. Mind no longer appears to be an accidental intruder into the realm of matter...we ought rather hail it as the creator and governor of the realm of matter.
For the introvert, conversation can be a very limited forum for self expression. When a song moves you, a writer gets you or a theory enlightens you, you and its creator are connecting in a realm beyond sight or speech.
I think there has to be an interesting transformative process between your perception of reality and making the paintings. If you are just trying to render what you see you are not entering into a transformative process. And that's what makes a good painting: the process of transforming and the willingness to leave reality behind.
Steve Grand is the creator of what I think is the nearest approach to artificial life so far, and his first book, Creation: Life and How to Make It, is as interesting as you would expect. But he illuminates more than just the properties of life: his originality extends to matter itself and the very nature of reality. Not since David Deutsch's The Fabric of Reality have I encountered such a compelling invitation to think everything out afresh, from the bottom up.
Atheists maintain that spiritual experience is purely subjective, with no basis in a reality outside of the subject.
You cannot seek for the ideal outside the realm of reality.
Our science fails to recognize those special properties of life that make it fundamental to material reality. This view of the world - biocentrism - revolves around the way a subjective experience, which we call consciousness, relates to a physical process. It is a vast mystery and one that I have pursued my entire life.
Art really has its source in the transcendent, the unmanifest field of pure consciousness, which is the non-changing, immortal field of all possibilities...When the awareness of the artist is in tune with this center of infinite creativity, his piece of art breathes fullness of life, nourishes the creator, the artist, and inspires his admirers with waves of bliss.
If God is the Creator of the entire universe, then it must follow that He is the Lord of the whole universe. No part of the world is outside of His lordship. That means that no part of my life must be outside of His lordship.
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