A Quote by Joyce Cary

A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment. — © Joyce Cary
A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.
Home. It's being new and old all rolled into one. Measuring your new against old friends, old ways, old places, Knowing that as long as the old survives, you can keep changing as much as you want without the nightmare of waking up to a total stranger.
Whoever lives for poetry must read everything. How often has the light of a new idea sprung for me from a simple brochure! When one allows himself to be animated by new images, he discovers iridescence in the images of old books. Poetic ages unite in a living memory. The new age awakens the old. The old age comes to live again in the new. Poetry is never as unified as when it diversifies.
If there's a new idea, a new invention, or a new gas, or a new whatever you know, It should be brought at least into the open instead of carrying these same old burdens around with you.
God had infinite time to give us.... He cut it up into a near succession of new mornings, and, with each, therefore, a new idea, new inventions, and new applications.
Wherefore give all diligence to the Spirit's motion and leadings, what it moves against, and what it leads to; for now will God make all things new: A new creation, new heavens, and new earth, and new heart and mind, and a new law, a new man to walk therein with his Maker with cheerfulness, and the old bonds are broken by the Spirit's leading, and to serve in newness of spirit.
As we have seen in our own history, the injection of new ideas from other worlds transformed life for all, and with the establishment of new frontier communities far from the reach of the old world, new social systems also formed, more in tune with the fact that it was the individual who had to make the decisions and do the work of pioneering.
If the world is saved, it will not be by old minds with new programs but by new minds with no programs at all. Why not new minds with new programs? Because where you find people working on programs, you don't find new minds, you find old ones. Programs and old minds go together like buggy whips and buggies.
The world fears a new experience more than it fears anything. Because a new experience displaces so many old experiences. . . . The world doesn't fear a new idea. It can pigeon-hole any idea. But it can't pigeon-hole a real new experience.
Sampling is a new way of doing something that’s been with us for a long time […] The mix breaks free from the old associations. New contexts form from old. The script gets flipped. The languages evolve and learn to speak in new forms, new thoughts. The sound of thought becomes legible again at the edge of the new meanings.
To take in a new idea you must destroy the old, let go of old opinions, to observe and conceive new thoughts. To learn is but to change your opinion.
To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.
If they embark on this course the difference between the old and the new education will be an important one. Where the old initiated, the new merely 'conditions'. The old dealt with its pupils as grown birds deal with young birds when they teach them to fly; the new deals with them more as the poultry-keeper deals with young birds- making them thus or thus for purposes of which the birds know nothing. In a word, the old was a kind of propagation-men transmitting manhood to men; the new is merely propaganda.
There is no conflict between the Old and the New; the conflict is between the False and the True.
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
We are continuously living a new life, and when the old and the new do not fit nicely together, the old - no longer able to contain the new - should be discarded.
Perhaps we should never procure a new suit, however ragged or dirty the old, until we have so conducted or enterprised or sailed in some way, that we feel like new men in the old, and that to retain it would be like keeping new wine in old bottles.
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