A Quote by Jock Sturges
When I started doing my work years ago, I had doubts as to whether the informed-consent question was answerable.
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When I started doing my work years ago, I had doubts as to whether the informed consent question was answerable.
Does a population have informed consent when a ruling minority acts in secret to ignite a war, doing this to justify the existence of the minority's forces? ... Failure to provide full information for informed consent on such an issue represents an ultimate crime.
I just don't know whether it was all destroyed years ago - I mean, there's no question that there were chemical weapons years ago - whether they were destroyed right before the war, (or) whether they're still hidden.
The public needs to know the kinds of things a government does in its name, or the 'consent of the governed' is meaningless... The consent of the governed is not consent if it is not informed.
I kind of muddled through 'Pride & Prejudice,' but with 'Atonement,' I knew what I was doing. That makes it sound like I had no doubt. I had doubts - I didn't know whether it would work. But I knew exactly what I wanted to try to do.
A few years ago, when I had no work and started believing that films weren't a viable career, I thought of finding another job. I started training and riding horses and got consumed by that. It was a boon in disguise.
You have to look at what the United Nations Declaration of Rights of Indigenous people says which is free and prior informed consent. Now, if you say 'we're going to build a pipeline, what does it take for us as the colonial power of Canada to make you agree?' That's not free, prior and informed consent, that's coercion.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
When I first started submitting my work professionally - and we're talking years and years ago - I had no patience for editorial response times. I hated waiting to hear back from people, hated waiting to see my work in print.
Years and years ago, when everyone knew that Pierce was going to be doing the job, they started selecting new people. I had this bizarre thing when I hadn't done many movies, and of going on for an interview.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
Well, years and years ago, I started to ask myself three very simple questions, which dominated my life for many years. One of them was, "Why are organizations everywhere, whether commercial, social, or religious, increasingly unable to manage their affairs?" The second question was, "Why are individuals throughout the world increasingly in conflict with and alienated from the organizations of which they're a part?" And the third was, "Why are society and the biosphere increasingly in disarray?"
I started doing '30 Rock' and started writing 'Mystery Team' at the beginning of that. While I was doing 'Mystery Team,' I started practicing stand-up. While I was doing stand up, I got 'Community.' It's like I planted trees six years ago, and now they have fruit.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.
A few years ago, they [Neandertals] were thought to be ancestral to anatomically modern humans, but now we know that modern humans appeared at least 100,000 years ago, much before the disappearance of the Neandertals. Moreover, in caves in the Middle East, fossils of modern humans have been found dated 120,000-100,000 years ago, as well as Neandertals dated at 60,000 and 70,000 years ago, followed again by modern humans dated at 40,000 years ago. It is unclear whether the two forms repeatedly replaced one another by migration from other regions, or whether they coexisted in some areas
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