A Quote by Gioconda Belli
I had a very good sexual education. My mother was very advanced in that regard. She conveyed to me the sense of reverence and wonder about my body and the powers of my sexuality not only to give life, but also to be a whole person and to enjoy pleasure. It was put to me as an almost holy act.
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My mother was a very, very funny, outrageous, outspoken person, and she never edited me. Her whole thing in my life was if anybody had a problem with me, tell them to go to hell.
My mother had been an incredibly bright kid but her family couldn't afford for her to stay in education. So she lived through me. She was a very remarkable woman and I owe a huge debt to her. She was unashamed about delighting in the fact that I was intelligent, and she drove and pushed me. She was also completely indifferent to popularity.
I tried to think about these two issues very freely. With sex, I think I can manage with that. With death, this is a more difficult theme for me. I'm not a believer, even though I'm baptized. I don't practice. I don't believe in God, so I feel very alone facing death. What I discovered is that the only way to recognize death is if you are part of life, if you are part of sexual pleasure, if you link it with sexual pleasure.
I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
Sexuality surrounds us like a dangerous aura. The same reverence that is given to the spirit is not given to the flesh. We have had a sexual revolution, but the sexual revolution only has made sex more pervasive. It hasn't granted the level of reverence and respect that it should have.
Listen to these wounds of pain put in the form of questions to me by a young woman who had had two abortions: "I wonder about the spirits of those I had aborted, if they were there, if they were hurt? I was under three months each time, but a mother feels life before she feels movement." "I wonder if they are lost and alone?" "I wonder if they will ever have a body?" "I wonder if I will ever have a chance again to bring those spirits back as mine?" Alas, brothers and sisters, "wickedness never was happiness" (Alma 41:10).
Since Reagan, it's almost impossible to get funding for research on sexual pleasure. You can find sexual behavior research, but not sexual pleasure. And let alone lesbian or homosexual sexuality.
As a late teenager, I had some puppy fat on me, and I noticed that I could put on weight. I have always been very disciplined because my mother was very beautiful, a very pretty woman, but she was immobilised by obesity. At her biggest, she was about 17 stone. And she was always on some sort of fad diet.
My mother was a very beautiful lady, I thought. She was very good to me. I guess - she died when I was nine and a half, but if she had lived I probably wouldn't be trying to play guitar. She wanted me to be known, but as something else. Not a guitar player.
My mother was a very beautiful lady, I thought. She was very good to me. I guess - she died when I was nine and a half, but if she had lived, I probably wouldn't be trying to play guitar. She wanted me to be known, but as something else. Not a guitar player.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
I read a lot, very passionately, from the time I was very young, but it was a constant battle; my mother would more or less let me be, but with my father, I was always searching for a place where he wouldn't find me. Whenever he saw me reading, he would tell me to put the book down and go outside, act like a normal person.
Right now everything is pumped up. Cars look like someone took an air pump and pumped them up. They look engorged. Lips pumped up, breasts pumped up, everything is pumped up. And it's also kind of off-putting. It's sexual but in such a hard way that it's, for me, not sexual at all. Whereas the 1970s, breasts were smaller. People were not wearing bras. Farrah Fawcett's sexuality and sensuality was a very touchable sexuality. She was kissable. She was friendly.
I was lucky in the sense that I started work very young but had a solid family base provided by my mother. She instilled a strong sense of perspective and humility in me from a very early age.
When I think about that kind of spirit, I think about my mother, who is standing here with me tonight. My mother is the embodiment of what it means to have a Texas spirit, because she wanted nothing more than for her children to have a better life than she had, to have an education beyond the ninth-grade education that she had, to live happier lives, more successful ones than she had been able to live. And you know what? She raised the daughter who ran for governor.
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