A Quote by John 5
Sometimes if you're in the studio for a very long time, you want to get out and play live shows and vice versa.
Related Quotes
It is not very natural to make dynamic changes with the recorder. When you play a long note and want to make a diminuendo, the pitch will fall, and vice versa. So you need to adjust these with your fingers.
We play some smaller songs larger than they are the record, and vice versa. It took me a while to get used to playing live.
I believe a great performer is someone who sounds just as great live as they do in the studio and vice versa. They should know how to work the stage.
The Western press has always insisted that India was Pakistan's enemy and vice versa, that the Hindus were against the Muslims and vice versa. They've never said, for instance, that my party has been fighting this attitude ever since we have maintained that religious hostilities are wrong and absurd, that minorities cannot be eliminated from a country, that people of different religions must live together.
I want to get us out of a place where the veterans are chastising the new artists and vice versa. I think we should all just support each other.
A Yea might turn in to a Nae and vice versa if a sufficient quantity of wordage was applied. In other talk you argument out until you get the answer you want.
It depends, because sometimes an action role can be very demanding, and sometimes a dialogue-driven character can be very demanding, and vice versa. It depends.
Writing a screen play with a group of collaborators is like the Lennon McCartney collaboration .... sometimes one or two people do more than others on certain parts of the process and vice versa.
I try to maintain an even tempo in all the games. Sometimes you play well and sometimes you get out. When you get out, you feel it is a wrong shot. Most players in tough situations play shots that could be out, but over time you refine that and give yourself the best chance of performing, the more you play in such situations.
Any chance to get out and play live for some people and get out of the studio is nice.
Angels are not complete, they need their counterparts, the dark needs the bright, the hidden needs the open, and vice versa. Sometimes they meet and recognise each other. Sometimes, as with Horatio and me, the pairing occurs over spaces of time and distance.
Obviously there is stuff that I wouldn't play in a club that I play at festivals, and vice-versa, but my sets are still dominated largely by my own music. I think that's what makes me stand out a bit. My music is also festival- and club-friendly, so it generally works out well.
I feel, in my live shows, I can be as dynamic as I want. It's my comfort zone. When I get in the studio, it's more of a solitary experience, which can be good creatively.
Sometimes crowds start out not liking someone but then they shift and love them. Or vice versa. It can shift on a dime.
I find very often that very ugly women have really handsome men and vice versa because they don't have any competition. Sometimes handsome men have avoided me.
I'm on this eternal quest to get the best guitar sound in the world, but my vision of what is 'the best' changes every time I go into the studio. Sometimes my goal is to make my guitar jump out, and sometimes I want it to lay back.
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