A Quote by Jon Bellion
Sometimes I feel drawn to writing about my shortcomings because I'm chock full of them.
Related Quotes
Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.
Chock them so ... full of "facts" they feel stuffed, but absolutely "brilliant" with information. Then they'll feel they're thinking, they'll get a sense of motion without moving.
The irony of what I do is that the more you reveal someone in their frailties and shortcomings, the more we feel drawn to them and forgiving we feel of them.
You need to really scrub your investment portfolios, because I guarantee you, many of you are going to find them chock-full of subprime carbon assets.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
The world is full of corruption, and deceit, and deviltry ? chock full of it.
I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't or are unconscious about, or have certain liberties that are invisible to them.
I often feel like not writing! Sometimes I overcome it by just sitting there until writing happens. Sometimes I don't write, because books often need periods of percolation.
You know what they're writing about Baby you know what they're writing about It's a thing called love down through the ages Makes you wanna cry sometimes Makes you feel like you wanna lay down and die sometimes Makes you high sometimes But when you really get in it lifts you right up.
One of the greatest and also the commonest of faults is for men to believe that, because they never hear their shortcomings spoken of, or read about them in cold print, others can have no knowledge of them.
To the people who love you, you are beautiful already. This is not because they're blind to your shortcomings but because they so clearly see your soul. Your shortcomings then dim by comparison. The people who care about you are willing to let you be imperfect and beautiful, too.
When really writing I'm not a good friend. Because writing disorganizes the social self, you become atomized. It scrambles you, sometimes to the point that I'm incapable of speech. I feel that if I start speaking, I'll lose the writing, like getting off the treadmill.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
We're sometimes treated like the stupid cousin, so I'm always drawn to characters that make you feel good about being Welsh.
I am drawn to characters so full of internal contradictions. Idi Amin was one. I loved writing him.
It's an easier task to imagine someone's interior world when you feel quite distanced from them. In the same way that I find writing about Australia easier than writing about the UK because I don't have the reality of it in front of me to get me bogged down in trying to be exact.
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