A Quote by John Byrne

Imagine, 24 pages of superhero adventures produced by the same writer and artist every month!! How did they do it? (What? By being professional about it? But that's too much like work!)
I like writing comic pages, discovering the rhythm of the panels, learning how much you can and can't express. It's good to stretch myself as a writer instead of always doing prose work; I write screenplays for the same reason.
I'm not like a professional writer with professional skills. Songs kind of come into my head the same way they did when I was a kid. I say I'm an overgrown kindergarten kid. I work on songs.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
People don't understand how much influence they can actually have on a writer, how much a writer's feelings can be hurt, how much they can deflect his course when they raise their voices like they did over highly personal books like 'Panama' or 'Bullet Park.'
Imagine if we had a food system that actually produced wholesome food. Imagine if it produced that food in a way that restored the land. Imagine if we could eat every meal knowing these few simple things: What it is we're eating. Where it came from. How it found its way to our table. And what it really cost. If that was the reality, then every meal would have the potential to be a perfect meal.
Child actors come off as work being their life and doing it 24/7, but I still have those days where it's totally, like, whatever: shopping, movies, adventures.
One of the things that kept most comics from being monthly was that very few artists could produce 24 pages per month. Jack Kirby was very much the exception to the rule, but his towering presence at Marvel started to dictate the whole shape of the industry - and that's where problems set in!
There are so many ways of posturing that people associate with being a writer. They imagine you wearing a beret and drinking only red wine and being full of yourself, and so, for a long time, the way I felt about writing was too private. I felt it too important and didn't want to be teased about it. So I lied about it.
I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.
It is boring to haunt a writer, and even more so to haunt a celebrity. I would haunt a literary figure! Possibly some superhero, maybe even James Bond. Constant adventures, fights, beautiful women--much more interesting that watching a writer who taps on computer all day long, or a celebrity posing in front of cameras.
That is why the analogy of stealing does not work. With a thief, we want to know how much money he or she stole, and from whom? With the artist it is not how much he or she took from whom, but what the artist did with it.
I was blessed by my parents and my antecedents by a very strong work ethic. I mean, being a Member of Parliament is 24/7, just as much as when you're actually doing a play. It's not quite 24/7, but it's the work that counts.
One thing I did inject was a different work ethic: Guys, no, we don't rehearse once or twice a month, we rehearse every day after work and on weekends, and that's how we're gonna get better. And everybody adopted that work ethic, and it did pay off.
I had tried to come up with a superhero comic, but it didn't work 'cause I wasn't a superhero artist, and I left it unfinished.
The one difference between comics and, say, cinema or prose, is that you've only got so many pages, and publishers will work to a set page count. So you have to work out how many pages you actually have and how much to allow for each story.
Writing changed my life. It has an existential dimension, and that's the same for every writer. Every artist has a moment of awakening, of happening upon an idea that grabs hold of you, regardless of whether you are a painter or a writer.
This site uses cookies to ensure you get the best experience. More info...
Got it!