A Quote by John Hurt
[Bong Joon-ho'] is quite different but technically, he is as clever as [Alfred] Hitchcock. That's saying something. In humanitarian terms, I think he is much cleverer. He is one of the best directors I've worked with. I absolutely adore working with him.
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I worked with the best directors - Martin Scorsese, John Huston, David Lynch, Alfred Hitchcock. Alfred Hitchcock was great.
Elephant Man [movie] was much more difficult physically. This had a couple of days. It was quite tricky. I had my leg strapped up behind me and I am a little older now. It was all marvelous, though. He [Bong Joon-ho] is one of the most fabulous directors in the world.
Lee Chang-dong, Park Chan-wook and Bong Joon-ho. I think the three filmmakers tell the stories that they really want to tell. Their movies always reveal what they think must be told. I have a lot of respect for that.
Bong Joon-ho is enormously sensitive to performance. He knows what he needs to see and that's all he needs to shoot. He is so daring. We don't do that in the west. We shoot everything.
I was so excited when 'Parasite' won the Oscar last year, and part of that was the shared Korean heritage and also it was just knowing that Bong Joon Ho made an incredible film and it didn't matter what language they were speaking, what country it was from, audiences all around the world responded to it.
They know you're not Alfred Hitchcock, but you need to be enough Alfred Hitchcock for them not to be bothered by it. That's a reassuring thing.
I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
And yet I adore him. I think he's quite crazy, and with no place or occupation in life, and far from happy, and philosophically irresponsible – and there is absolutely nobody like him.
A lot of people think that writers are much cleverer than they actually are. No, they're not. But they're emotionally clever, and they go into a character, and they feel something that they weren't entirely aware of beforehand.
I would never butt heads with Rob Zombie. I don't know anybody that's in acting that ever butted heads with Rob Zombie. I adore Rob. I adore him. I adore working with him. I adore knowing him. I'm happy to consider myself a friend and someone who he hires. I just think he's great.
Alfred Hitchcock was right when he said that actors are basically like cattle. Directors just look at us and yell 'Move!'
I knew I wanted to become an actor when I was 7 years old. My dad was working with Alfred Hitchcock, my mom was working with Martin Scorsese - and it was the great summer of my childhood.
Film works when a director and a star have a connection. You know, when there's something telekinetic between them, there's a partnership, it's like alter egos. It's like James Stewart and Alfred Hitchcock, or Fellini and Mastroianni. I'm not comparing, I'm just saying, if you can come into a relationship where the director and star have such a bond, it's so much easier to make a movie.
I really relate to outsider characters. Especially the eccentric, lunatic weirdos like Alfred Hitchcock, Viktor Navorski in The Terminal, or the Anvil guys. Everything I've done is about these quite eccentric, exotic outsiders who you might see in a certain light at first, but once you scratch the surface a little, you realize that they're not that different from you. I think there's an element of that which unites.
In my mid-20s, I was directing episodes of 'Alfred Hitchcock' and 'Peter Gunn.' I was pretty much on course and - as I sometimes joke - was prepared to devote my life to become the second best film director in my family.
On a serious note, I just enjoy exploring the unconventional. I like Alfred Hitchcock; I actually grew up watching his films. A thriller gives you much more scope of exhibiting creativity in terms of playing with the camera and sound, as against a typical love story.
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