A Quote by John Bright

I would prefer to have one comfortable room well stocked with books to all you could give me in the way of decoration which the highest art could supply. — © John Bright
I would prefer to have one comfortable room well stocked with books to all you could give me in the way of decoration which the highest art could supply.
Alix [MacKenzie], on the other hand, found that her painting would translate much more readily into decoration, and she could play with the spacing and the intensity of imagery on the form in a way which I could not. So that when we established our pottery, I was most unhappy with my decoration.
I would prefer to have a more appealing job. If I could still change careers, I would prefer it. This unfortunate art is made for long beards and ugly faces rather than for a relatively well-endowed woman.
I would not, if I could, give up the memory of the joy I have had in books for any advantage that could be offered in other pursuits or occupations. Books have been to me what gold is to the miser, what new fields are to the explorer.
It's as though aesthetic value, quality, could be preserved only by concentrating on 'absolute' or 'autonomous' art: thus on visual art... that held and moved and stirred the beholder as sheer decoration could not.
I think that all art is socially conscious. There is no alternative. Whatever we produce contains a political and social statement. There's no way to avoid that, unless it is pure decoration. But even pure decoration has also some value because you can read pure decoration as a way to ignore the reality that is around us, saying, "Well, I'm not interested. I just like to paint this wall blue.
As for my own business, even that kind of surveying which I could do with most satisfaction my employers do not want. They would prefer that I should do my work coarsely and not too well, ay, not well enough. When I observe that there are different ways of surveying, my employer commonly asks which will give him the most land, not which is most correct.
I love writing. I'm not particularly comfortable in the actual world - I'm much more comfortable on the page. So if I could have a life where I could just slip the pages under the door and somebody would slip me a meal back, then that would be perfect for me.
Without somehow destroying me in the process, how could God reveal himself in a way that would leave no room for doubt? If there were no room for doubt, there would be no room for me.
I wanted to talk face-to-face with as many people as would see me. Some actors were so busy they could only give me an hour on the phone. But my feeling is that if you're actually in the room with them, they get comfortable and you get more.
I did the first Parker novel, in which he got caught, and the editor at Pocket Books took me to lunch and said, 'Is there any way that this guy could get away at the end, and you could do three books a year for us?' And I said, 'I think so.'
When Theodore Roosevelt was in the White House, he confessed that if he could be right 75 percent of the time, he would reach the highest measure of his expectation. . . . If that was the highest rating that one of the most distinguished men of the twentieth century could hope to obtain, what about you and me?
I like this thought: Your mind is a cupboard, and you stock the shelves. Let us make certain that our cupboard shelves, and those of our family members, are stocked with the things which will provide safety to our souls and enable us to return to our Father in Heaven. Such shelves could well be stocked with gospel scholarship, faith, prayer, love, service, obedience, example, and kindness
To me, the nicest luxury would be to have a room where I could keep all my books in one place - and have space for more.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
He was magnificent; very clever with outstanding technique. He could pass the ball over five yards or fifty; he could see things to set up other people; he could shoot and he could score goals. If you gave me Paul Scholes and ten others, I would be happy. I would tell them to give him the ball and then we would have a good team.
I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
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