A Quote by John Breaux

My home was 25 miles from the gulf, and I did not want to see it become a shorefront property. — © John Breaux
My home was 25 miles from the gulf, and I did not want to see it become a shorefront property.
Property crime is down 40 percent. We just don't want to see it creep back up. We've had 25 years of very good cooperation.
The highs were high, the awe, I'm not a religious person, but I'll tell you, to be in the azure blue of the Gulf Stream as if, as you're breathing, you're looking down miles and miles and miles, to feel the majesty of this blue planet we live on, it's awe-inspiring.
Did you ever look in the mirror And see a stranger standing there? Did you ever drive for miles and miles And wonder how on earth you got yourself there?
When you arrive in Hiroshima you can look around and for 25 and perhaps 30 square miles you can see hardly a building. It gives you an empty feeling in the stomach to see such man-made devastation.
On the flight over to the Gulf of Mexico, I wondered about how they say you can never go home again, but maybe an equally expensive reality is how many people, regardless of how many years or miles they put between themselves and where they were born, are never truly able to leave home.
Well, Amber [Heard] is still raising her eyebrow at me because I said that I've been 180 miles per hour on the 405 freeway on a motorcycle and she doesn't believe me but it's a true story. I did it coming home from work at 3 in the morning on another movie I made about cars called Gone in 60 Seconds. I bought a Yamaha-1 and I was doing 180 miles per hour home on the 405 and that's really, really crazy but I did it.
I revisited some music that I had written for Miles Devis. I used to work with Miles in the '80s. We did an album - "Tutu," that was really successful for Miles, and a couple of years ago we did "Tutu Revisited," and this is where we played the music from "Tutu." But I knew Miles would absolutely hate it if we just got on the stage and played the music the same way we did it in the '80s.
Now I've literally become neighborhood watch. I call 911 on people. I'm the old man driving 25-miles-per-hour down Sunset.
When you get out onto a glacier that's the size of Northern Ireland and it's so vast, and you're standing on top of it and you can see forever, it's so pure and clear that you can see for miles and miles and miles. You really do think, "Wow, there is a god!" You feel very humbled.
They were heading out to the middle of the bay - the Gulf - that's another thing that became kind of standard practice, we didn't hurry the destroyers around the beach any more, when it got dark, we'd take 'em out thirty or forty miles out in the middle of the Tonkin Gulf.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot and coincidentally we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
What is clear is that in 1900, Galveston was growing fast, had already become the number one cotton port on the Gulf Coast, and was already being referred to as 'the New York of the Gulf.'
The Earth - from our altitude at Hubble, we're 350 miles up. We can see the curvature. We can see the roundness of our home, our home planet. And it's the most magnificent thing I've ever seen. It's like looking into Heaven. It's paradise.
More than 25 miles off the coast of Massachusetts and only 14 miles long, Nantucket is, as Herman Melville wrote in 'Moby-Dick,' 'away off shore.'
Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.
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