A Quote by John Gokongwei

It was during my first trip to America in 1953 - thats when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
It was during my first trip to America in 1953 - that's when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
I don't plan out my visits rigorously, but I do have a list of about 125 New York galleries, alternative spaces, museums, and so forth that I visit regularly. That's the closest thing I have to a strategy: I go to a lot of places, many that artists don't visit.
Museums that aren't perfect are the ones that I love. Museums that aren't overdesigned. I always like to visit the strange, odd museums. In New York, the Frick is absolutely my favorite, favorite place because I like to think that it was someone's home not that long ago.
You don't have to go to New York and you don't have to go to LA or London. Go somewhere cheap. Go somewhere with free art museums and then just go to art museums.
On my first trip to New York in the 1980s, the first place I wanted to visit was the Plaza Hotel, home to Kay Thompson's Eloise.
I didn't actually begin photographing, or even visit New York, for the first time until I was 26.
My first Broadway show wasn't until I was a freshman in high school. It was my first trip to New York. I came with a group of theatre kids, and we saw four shows. The very first one was 'Contact.'
A visit to a museum is a search for beauty, truth, and meaning in our lives. Go to museums as often as you can.
The first trip I can remember would have to be to Marianna, Arkansas. My mother's parents are from there, and we'd go every year to visit the church where they were buried. We'd attend church service that day, put flowers around their tombstones, and visit with family and friends that still lived there.
The most important part of a city is its people. In fact, people for me are like little cities. When you meet someone, it's like you've found a new city to explore. You take a tram, visit the museums and operas and cafes.
As long as you have imagination, you never need to work. You never get bored. You could just walk around and go to museums and check out new movies. You could be busy in New York city for 10,000 years.
As a young man I couldn't travel, nobody could travel, they wouldn't give us a passport. For many years I was trying to go abroad. And then one day I read in the newspaper about a new competition for composers, and the first prize was a trip to the West. I decided I must get the first prize, so I wrote three pieces in three different styles.
I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
Being in America isn't old-hat - it's where we're from - but I get excited to be in other parts of the world like Athens and Croatia, which were quite cool. I'm a sightseer. I go see the sights and museums. I'm into that kind of thing.
The really great thing about having two TV shows going on at the same time is that I can go to one and say that I have to go and visit the other and then I can just go home and they don't know.
The really great thing about having two TV shows going on at the same time is that I can go to one and say that I have to go and visit the other, and then I can just go home, and they don't know.
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