A Quote by John Grant

I think The Czars had an identity crisis, as we were five guys pulling in different musical directions. — © John Grant
I think The Czars had an identity crisis, as we were five guys pulling in different musical directions.
I'll tell you, girl fans were actually pushier than the guys. The guys got scared, because when the five of us were together, we were out of control. If I were in the room with the five of us, I'd leave. It's like a five-headed monster.
If it wasn't for KISS, there would be no Guns N' Roses. Bands like that made Guns N' Roses. We were five guys with five personalities and five different influences. The stars were aligned for us.
Women's liberation and the male midlife crisis were the same search--for personal fulfillment, common values, mutual respect, love. But while women's liberation was thought of as promoting identity, the male midlife crisis was thought of as an identity crisis.
Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
The problem with West Indies cricket is that the talent is there but there is no cohesion. Everybody's pulling in different directions; the players, the selectors, the management.
I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.
I think it's incredible because there were guys like Mays and Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
It’s hard to find backbone.I never had crisis of identity. But I think many Americans have it.
If you explode onto the scene at a very young age, there are so many people pulling you in different directions. It takes time to recalibrate and see what's important.
I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
I think it's incredible because there were guys like (Willie) Mays and (Mickey) Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
Notts County were League Two and they had they great plans. Things were happening and I was like 'wow these guys are serious.' It was a mad season because we were flying private jets to game. It was all a farce and I had signed a five-year contract.
I am dragged along by a strange new force. Desire and reason are pulling in different directions. I see the right way and approve it, but follow the wrong.
There was violence because first of all, there were ethnic differences and names. If you were small, they called you a runt, and you had to do something about that even if there were five other guys.
I think it is said that Gauss had ten different proofs for the law of quadratic reciprocity. Any good theorem should have several proofs, the more the better. For two reasons: usually, different proofs have different strengths and weaknesses, and they generalise in different directions - they are not just repetitions of each other.
This site uses cookies to ensure you get the best experience. More info...
Got it!