A Quote by John Green

The light filtered throught the leaves and pine needles above as if through lace, the ground spotted in shadow. — © John Green
The light filtered throught the leaves and pine needles above as if through lace, the ground spotted in shadow.
The ideal job letter starts with a brilliant light. Then we realize that this brilliant light is actually sunlight, shafts of it, pouring through trees onto a thick bed of pine needles. Soft dusty resin floats in the sun shafts, invitingly. The smell of pine and sap rises from the forest floor. A twig snaps underfoot.
No traveler, whether a tree lover or not, will ever forget his first walk in a sugar-pine forest. The majestic crowns approaching one another make a glorious canopy, through the feathery arches of which the sunbeams pour, silvering the needles and gilding the stately columns and the ground into a scene of enchantment.
As the brain of man is the speck of dust in the universe that thinks, so the leaves—the fern and the needled pine and the latticed frond and the seaweed ribbon—perceive the light in a fundamental and constructive sense. … Their leaves see the light, as my eyes can never do. … They impound its stellar energy, and with that force they make life out of the elements.
The light was cut to lace by the trees that had grown so thick with leaves in the last few months.
Woods are rich with biodiversity and, above all, places of trees and light that spangles a thousand greens through the leaves.
Above the cloud with its shadow is the star with its light. Above all things reverence thyself.
Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me.
I sense Light as the giver of all presences, and material as spent Light. What is made by Light casts a shadow, and the shadow belongs to Light.
You know that thing about Death Be Not Proud? Well, Fear Be Not Proud either. And Fear Be Not Elegant. What Fear be is stumbling, bumbling flight, crashing through brush, slip-sliding on pine needles, sloshing through puddles that are always deeper than you expect.
The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders of the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the dacayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in the motionless rivers of light.
I believe I'm a caterpillar buried deep down under the ground. The entire earth is above me, crushing me and I begin to bore through the soil, making a passage to the surface so that I can penetrate the crust and issue into the light. It's hard work boring through the entire earth, but I'm able to be patient because I have a strong premonition that as soon as I do issue into the light I shall become a butterfly.
Where there is light, there must be shadow, where there is shadow there must be light. There is no shadow without light and no light without shadow.... We do not know if the so-called Little People are good or evil. This is, in a sense, something that surpasses our understanding and our definitions. We have lived with them since long, long ago-- from a time before good and evil even existed, when people's minds were still benighted.
My dad was somewhat of a naturalist and used to teach us about different birds and trees. So did a fifth grade teacher who made a lasting impact on me; to this day, I remember his lessons about counting the needles on pine trees, seeing if they are twisted or straight, and about checking the tips of oak leaves to see if they are pointed or lobed.
For a hundred and fifty years, in the pasture of dead horses, roots of pine trees pushed through the pale curves of your ribs, yellow blossoms flourished above you in autumn, and in winter frost heaved your bones in the ground--old toilers, soil makers: O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
Miles above the Earth we know , Fancy's rocket roars. Below, Here and Now are needles which Sew a pattern black as pitch, Waiting for the rocket's light.
The light for drawing from nature should come from the North in order that it may not vary. And if you have it from the South, keep the window screened with cloth, so that with the sun shining the whole day the light may not vary. The height of the light so arranged as that every object shall cast a shadow on the ground of the same length as itself.
This site uses cookies to ensure you get the best experience. More info...
Got it!