A Quote by John Green

I spy with my little eye a great story. — © John Green
I spy with my little eye a great story.

Quote Topics

I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story.
I spy, with my little eye, something that starts with ... G." "Sausages.
In other men we faults can spy,/ And blame the mote that dims their eye;/ Each little speck and blemish find;/ To our own stronger errors blind.
What's great about 'Spy Hunter' is that we have an amazing title, an awesome car, and a great theme song, and we can use that to launch a new franchise that hopefully will compete with the other ones but just be kind of the more fun, video game version of a spy movie.
I always loved the idea of a spy movie and part of it came from my personal love of spy movies. It started when I was growing up as a little kid in the 60s.
I think of 'Liar & Spy' as completely different and actually not at all like a 'When You Reach Me'-type story. I feel like 'Liar & Spy' has a much quieter, more emotional revelation.
There's an awful lot of corruption in Japanese business and politics, corruption of the sort that can make for great setting for a spy story.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
'A Spy in the House', the first of Y. S. Lee's 'The Agency' novels, is pure confection, an historical romp through England at the height of The Great Stink that imagines a secret spy ring for women tucked away where few notice but powerful factions clamor for their services.
[Opera] does not call so much for an imaginative ear as for an imaginative eye, an eye which can see beyond little absurdities toward great truths.
I was a little hesitant at first because there's so many ways you can get 'Straight Outta Compton' wrong. You know, it's such a great story; it's such a classic tale. I was a little nervous 'cause it's like a very narrow road to success with that type of story - you got to get it right - but when I read it, I was pleasantly surprised.
There are fewer established rules in the way you tell a story for commercials than in features. It's a great little short story you get to play with.
A murderer is less loathsome to us than a spy. The murderer may have acted on a sudden mad impulse; he may be penitent and amend; but a spy is always a spy, night and day, in bed, at table, as he walks abroad; his vileness pervades every moment of his life
Of John Le Carre's books, I've only read 'The Spy Who Came In From The Cold,' and I haven't read anything by Graham Greene, but I've heard a great deal about how 'Your Republic Is Calling You' reminded English readers of those two writers. I don't really have any particular interest in Cold War spy novels.
The U.S. obviously has all the evidence they need to prosecute bankers. They just need to search their own spy database and then there you go - 1,000 bankers in jail, a trillion dollars in fines. But it doesn't happen. Instead, the spy network is being used to fight a copyright case. They used Prism to spy on me.
It is illegal for the CIA to spy on Americans and an affront to our Republic to spy on the Senate.
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