A Quote by John Green

You can’t divorce Margo the person from Margo the body. You can’t see one without seeing the other. You looked at Margo’s eyes and you saw both their blueness and their Margo-ness. In the end, you could not say that Margo Roth Spiegelman was fat, or that she was skinny, any more than you can say that the Eiffel Tower is or is not lonely. Margo’s beauty was a kind of sealed vessel of perfection – uncracked and uncrackable.
Margo's beauty was a kind of sealed vessel of perfection--uncracked and uncrackable.
To find Margo Roth Spiegelman, you must become Margo Roth Spiegelman. And I had done many of the things she might have done: I had engineered a most unlikely prom coupling. I had quieted the hounds of caste warfare. I had come to feel comfortable inside the rat-infested haunted house where she did her best thinking. I had seen. I had listened. But I could not yet become the wounded person.
That doesn't sound like my Margo", she said, and I thought of my Margo, and all of us looking at her reflection in different funhouse mirrors.
Remember the great film with Bette Davis, All About Eve? There's a scene after the scheming Eve steals Margo's role through trickery & then gets this magnificent review. Margo of course is effing & blinding all over the place. And crying. Her director rushes into her house, puts his arms around her & says, "I ran all the way". That's what I want.
But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
As I followed Margo's directions through the maze of one-way streets, we saw a few people sleeping on the sidewalk or sitting on benches, but nobody was moving. Margo rolled down the window, and I felt the thick air blow across my face, warmer than night ought to be. I glanced over and saw strands of her hair blowing all around her face. Even though I could see her there, I felt entirely alone among these big and empty buildings, like I'd survived the apocalypse and the world had been given to me, this whole and amazing and endless world, mine for the exploring.
..there she is, and I am watching her through plexiglass, and she looks like Margo Roth Spiegelman, this girl I have known since I was two–this girl who was an idea that I loved. And it is only now, when she closes her notebook and places it inside a backpack next to her and then stands up and walks toward us, that I realize that the idea is not only wrong by dangerous. What a treacherous thing it is to believe that a person is more than a person.
Margo Harshman, who plays Delilah, is fantastic. I couldn't have a more wonderful person to work with. She's just the best, and personality wise, it's like she's family.
And I don't really have anyone upon whom I want to rain down my wrath," I said, because in truth I didn't. I always felt like you had to be important to have enemies. Example: Historically, Germany has had more enemies than Luxembourg, Margo Roth Spiegelman was Germany. And Great Britain. And the United States. And czarist Russia. Me, I'm Luxembourg. Just sitting around, tending sheep, and yodeling.
A Margo for each of us--and each more mirror than window.
Cleaning up after themselves was a low priority for Margo and my mother. They had both recovered from cancer scares, failed marriages, and lost hope; in their opinion, dirt could wait.
Q, you're going to go to Duke. You're going to be a very successful lawyer-or-something and get married and have babies and live your whole little life, and then you're going to die, and in the last moments, when you're chocking on your own bile in the nursing home, you'll say to yourself:'Well, I wasted my whole goddamned life, but at least I broke into SeaWorld with Margo Roth Spiegelman my senior year of high school. At least I carpe'd that one diem.
Fasten your seat belts, it's going to be a bumpy night! - As Margo Channing in All About Eve
When I first watched Bette Davis in 'All About Eve', I was struck by how much I felt that she is Margo Channing and that she's Bette Davis, where she was able to do both, where you're like, 'What an icon.'
I always liked routine. I suppose I never found boredom very boring. I doubted I could explain it to someone like Margo but drawing circles through life struck me as a kind of reasonable insanity.
Margo says, "I know what she's talking about. The something deeper and more secret. It's like cracks inside of you. Like there are these fault lines where things don't meet up right.
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