A Quote by John Green

He loved the scratching of pencil against paper when he was focused: it meant something was happening. — © John Green
He loved the scratching of pencil against paper when he was focused: it meant something was happening.
I was really relieved not to have to drag something in front of the camera; I could use a pencil and paper. A regular pencil and typing paper. That appealed to me.
I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'
There was something soothing about the crackle of paper, the smell of ink, and the soft scratching of nibs and brushes.
The one thing a writer has to have is a pencil and some paper. That's enough, so long as she knows that she and she alone is in charge of that pencil, and responsible, she and she alone, for what it writes on that paper.
I was given some designer colors for ink pens a long time ago and I haven't used them, and I have some handmade paper, and I just have the desire to drip on wet paper. It reminds me of when I was seven years old and had my tonsils out, and one of the first artworks I made was on toilet paper with a colored pencil; it was sort of half paint and half colored pencil. But I got very involved with color and absorption and I think, you know, 78 is a good time to go back to the beginning.
As we crossed the Malakand Pass I saw a young girl selling oranges. She was scratching marks on a piece of paper with a pencil to account for the oranges she had sold, as she could not read or write. I took a photo of her and vowed I would do everything in my power to help educate girls just like her. This was the war I was going to fight.
You can only generate ideas when you put pencil to paper, brush to canvas... when you actually do something physical.
If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!
It's amazing how many people even today use a computer to do something you can do with a pencil and paper in less time.
Under slavery, families were ripped apart, and it was a desire of black men and black women to be together with their loved ones. Family meant something. Spouses meant something.
When I was coming out of college, storytelling was very much something you did with pencil and paper, so the technological platform versatility, I think, is really valuable.
Until film is just as easily accessible as a pen or pencil, then it's not completely an art form. In painting you can just pick up a piece of chalk, a stick or whatever. In sculpture you can get a rock. Writing you just need a pencil and paper.
There's an easy method for finding someone when you hear them scream. First get a clean sheet of paper and a sharp pencil. Then sketch out nine rows of fourteen squares each. Then throw the piece of paper away and find whoever is screaming so you can help them. It is no time to fiddle with paper.
The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.
From the beginning of time, in childhood, I thought that pain meant I was not loved. It meant I loved.
There’s something beautiful and very circular about passing by something that was important to the person you loved, or touching something that once meant something to him — that brings me some peace.
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