A Quote by John Densmore

When an ensemble is really tight or playing as one, it's a transcendental experience. It is spiritual. It goes beyond the ensemble. Ray and I and Robby and Jim were pretty tight, musically and spiritually.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
Women totally dress for women. If we were dressed for men, we'd be prancing around in tight, tight, tight bodycon skirts and tops all day or really simple jeans and T-shirts.
The Doors are Ray, Robby, Jim and John.
I like tight bodies and pretty faces. You bring in Methuselah, if she's got a tight body and a pretty face, that's all right, too.
I've done a lot of pictures that are ensemble, and I've not always liked the people I was working with, but that doesn't make any difference because you do the job, and often it turns out to be a great ensemble even if you didn't particularly really like anybody.
As far as creation goes, you just really have to not overthink and just create and be confident. If you think it's tight, then the world is going to think it's tight.
Growing up in Europe, tight clothing is pretty standard. When I got to college, clothes were loose, so I was going toward more loose stuff. As soon as I got back to New York, I started wearing suits 25% of the year. Then, I realized how important it is for the suit to really fit you and be tight.
It is really refreshing to hear a big band that has the ability to execute ensemble passages with swing and precision while retaining a "small group" feel during the solo sections. This kind of "tight, loose" approach is seldom heard in big bands, whether they are professional or not. Now, all the band needs is to hit the road and take the music around the world!
One of my biggest regrets in coaching was my eighth or ninth game of my career. I was wound up about a conference game in December - I was wound up tight, and we ended up playing really tight. Our players were bickering with the officials, I was bickering... and then all of a sudden we lose.
I got to meet a lot of cool people [on the Voice], and my favorite part about the experience was getting to sit around and do little jam sessions in the hotel. We were pretty much in lockdown at the hotel in downtown Los Angeles, and there wasn't much to do. It was interesting to be in a room with someone that was a rapper next to me, a country artist, then you have someone playing a song on the keyboard, and it was just really cool as just a random ensemble.
I love television, and I get so spoiled because I'm coming from such an amazing ensemble in 'Hamilton' to such an amazing ensemble on 'Bull.'
I kick it when I kick it, but I definitely take care of business. I make sure everything is tight, my finances are tight, my family is tight, my friends are perfect.
I've always considered myself an ensemble girl, meaning I was always cast in the ensemble.
The students were missing out a lot in their ensemble playing because they weren't listening to each other or the environment.
I had a professor in graduate school who told us, 'Know what you're good at, and do that thing.' And I thought, 'Hands down, I'm an ensemble girl. I'm a fierce ensemble girl. I am dependable.' I was never seen for the ingenue or the leading lady.
This site uses cookies to ensure you get the best experience. More info...
Got it!