A Quote by John Dufresne

I revise like crazy. I start revising before the pen hits the paper. — © John Dufresne
I revise like crazy. I start revising before the pen hits the paper.
I revise and revise and revise. I'm not even sure "revise" is the right word. I work a story almost to death before it's done.
I guess the thing I would say most fervently is that your original impulse to write something is an impulse you should trust, and that if it doesn't work on the first draft, which it hardly ever does, the commitment to revising ought to be something you embrace really early. And to revise and revise and revise.
My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.
In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.
It's easier to revise lousy writing than to revise a blank sheet of paper.
I like to figure out what the production opportunities are for the things I'm interested in before I put pen to paper.
I love writing thank-you notes. There's something very nostalgic to me about the feel of a card and putting pen to paper. How many times in our lives are we required to put pen to paper anymore?
That said, in the two weeks before I leave for the Dark Days tour, I am going radio silent, which means I will be avoiding the Internet at all costs in order to revise, revise, revise. I will miss you. Tris says hi, though.
I used to only like writing with pen and paper, but because I travel so much, I started to lose the paper.
One great aim of revision is to cut out. In the exuberance of composition it is natural to throw in - as one does in speaking - a number of small words that add nothing to meaning but keep up the flow and rhythm of thought. In writing, not only does this surplusage not add to meaning, it subtracts from it. Read and revise, reread and revise, keeping reading and revising until your text seems adequate to your thought.
Rewrite and revise. Do not be afraid to seize what you have and cut it to ribbons ... Good writing means good revising.
I don't write a quick draft and then revise; instead, I work slowly page by page, revising and polishing.
It's the subconcussive hits, the constant bam, bam, bam that linemen like Suh give and receive. Those are the hits scientists say cause the lasting damage to the brain, the kind of injuries that made guys like Mike Webster, Terry Long, and so many others go crazy. The subconcussive hits - every single play.
I usually don't mind giving autographs, but when hundreds of folks with paper and pen start coming at you, it's time to seek shelter.
The idea of going back to school and revising for exams would be hellish. As an actor, my form of revising is learning scenes, but to start going through biology, chemistry, and all of those sciences would be just a nightmare.
When you start putting pen to paper, you see a side of your personal truth that doesn't otherwise reveal itself in conversation or thought.
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