A Quote by John Zorn

One of the reasons I started Tzadik, which is my own label, is to keep things in print. I got tired of labels dropping things out of print when they don't sell. — © John Zorn
One of the reasons I started Tzadik, which is my own label, is to keep things in print. I got tired of labels dropping things out of print when they don't sell.
The print magazine and print journalism industry is obviously in a great deal of trouble, and one of the things that happened when this business started to give way to the Internet and to broadcast television is that a lot of organizations started cutting specifically investigative journalism and they also started cutting fact-checkers.
Print will never die. There's no substitute for the feel of an actual book. I adore physically turning pages, and being able to underline passages and not worrying about dropping them in the bath or running out of power. I also find print books objects of beauty.
My goal is to create a sustainable long-term business that, we're committed to print, we're rooted in print, but we're expanding into digital and into modernizing the way we sell to customers through e-commerce and things like that. And it requires different skill sets; it requires different ways of doing business.
If you do big things they print your face, and if you do little things they print only your thumbs.
I feel like the Earth is a re-print of a re-print of a print of a re-print.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
We've got to lift our game tremendously. We'll sell our business news and information in print, we'll sell it to anyone who's got a cable system, and we'll sell it on the Web.
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
I think we have a free will, and at the same moment we don't. We have to live with that. It doesn't make sense intellectually, but that's because our intellect is always trying to come up with a logical, rational explanation for things. To do that, it puts labels on things. But once you label something, you've got twoness. You've got the label, and you've got what you're labeling. And there is only oneness in the universe, even though we artificially believe in twoness.
A couple of things for the not-so-diminutive man: avoid any prints that are large scale, because you will look like the print is wearing you, as opposed to you wearing the print.
I was one of the first print models to go on the runway because I wanted to do runway. When I started doing the shows, I was the only print girl there.
For 10 years, I was my own label, my own promoter, my own PR. We borrowed money to print our CDs.
More than print and ink, a newspaper is a collection of fierce individualists who somehow manage to perform the astounding daily miracle of merging their own personalities under the discipline of the deadline and retain the flavor of their own minds in print.
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
If our brands are going to be in print and on mobile handsets and in video and events, we have to acknowledge that the playing fields are going to be different than a print-only product or a print product with extensions to it.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
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