A Quote by John Kani

In any character you are given to play, be it evil/good/whatever character, you begin with self. You examine yourself and ruthlessly see similarities between you and the devil, or between you and the dictator, or between you and the kind man.
We have always put the quest for balance at the center of our storytelling, whether it is the struggle to find it within one character, between a character and society, between disparate cultures or between humans and their environment.
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
When a man puts on a Character he is a stranger to, there's as much difference between what he appears, and what he is really in himself, as there is between a VIzor and a Face.
You can compromise between good, better, and best, and you can compromise between bad and worse and terrible. But you can’t compromise between good and evil. And now people look at the other side as a completely different kind of animal and say, “They are taking the country down the road to purgatory.” It’s complete intolerance.
You can compromise between good, better, and best, and you can compromise between bad and worse and terrible. But you can't compromise between good and evil. And now people look at the other side as a completely different kind of animal and say, 'They are taking the country down the road to purgatory.' It's complete intolerance.
In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.
The contest is not between us and them, but between good and evil, and if those who would fight evil adopt the ways of evil, evil wins.
If time is not real, then the dividing line between this world and eternity, between suffering and bliss, between good and evil, is also an illusion.
Our hearts are with you and we are ready to provide any assistance at any time....This is a war between good and evil and between humanity and the bloodthirsty.
The big difference between people is not between the rich and the poor, the good and the evil. The biggest of all differences between people is between those who have had pleasure in love and those who haven't.
There are so many ways to approach a character. You have to figure out the similarities between you and the character, build on them, and at the same time, blur the dissimilarities. Since you do it day in and day out, it becomes a process and a part of you.
I believe that the fundamental alternative for man is the choice between "life" and "death"; between creativity and destructive violence; between reality and illusions; between objectivity and intolerance; between brotherhood-independence and dominance-submission.
Science means constantly walking a tightrope between blind faith and curiosity; between expertise and creativity; between bias and openness; between experience and epiphany; between ambition and passion; and between arrogance and conviction - in short, between an old today and a new tomorrow.
I like movies that deal with trapped men. Men that need to make choices that are not obvious or easy choices. Then how do you visualize this? You create this character conflicted between two sides, because drama is about the conflict of two things, between your duty and your will, between what you want and what you can't have. It is all conflict between two things, and this is why you put your character in a place where you can visualize the conflict.
Happiness doesn't come from getting what you want. It doesn't come from within, either. Happiness comes from *between*--from finding the right relationship between yourself and others, between yourself and your work, and between yourself and something larger than yourself.
It's hard for people to differentiate between a character they see on television and a person who plays the character.
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