A Quote by John Candy

You can escape into a character. — © John Candy
You can escape into a character.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
Writing let me escape... It let me escape the insistent tug of my family, and its ongoing misery. Sitting in front of the computer, with the screen blank and the cursor blinking, was the best escape I knew. And there was plenty to escape from.
The past is our definition. We may strive with good reason to escape it, or to escape what is bad in it. But we will escape it only by adding something better to it.
Creating a character on or off the stage is an escape.
There is no escape from mystery. It is the character of our being.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
One of our continuing myths was summed up in Huckleberry Finn: Our escape, what we think of as our escape, is that we can always light out for the territories. Well, we really can't, not anymore, but that's part of the American character - that belief that at any moment, I could just drop the coffee cup and disappear. And it makes for a different self-image and a different story, in a way.
The character I've created, Christine, is mainly the first attempt for me to escape all the secret injunctions we have as girls all the time. Like, be pretty but be polite. Don't take too much space. All those things that didn't mean anything to me. I just decided to turn them around with my character.
The thing you do is escape from them by immersing myself in the character you're playing.
I think I may have become an actor to hide from myself. You can escape into a character.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
I gave up writing children's books. I wanted to escape from them as I had once wanted to escape from 'Punch': as I have always wanted to escape. In vain.
For a great nature, it is a happiness to escape a religious training; religion of character is so apt to be invaded.
I just want people to come to my stuff and escape and see me as a character, not as anything else.
With acting, I get to escape into this character and embody it. With music it's like, "Hey guys, this is my diary, here's all my feelings."
You're always in a box, and you're an escape artist if you do what I do - or if you're a creative person, period. You build your box, and then you escape from it. You build another one, and you escape from it. That's ongoing.
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