A Quote by Jon Landau
Aretha Franklin's 'Let Me in Your Life' is one of the few recent R&B albums that places the emphasis entirely and deservedly on a voice. Many R&B producers have been making records on which the singer is outshined by the song, the arrangement and the sound.
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I used to be a pop singer; well, not used to be. I am an R&B singer. My emphasis was on Stevie Wonder and Chaka Khan and Aretha Franklin.
I was determined to create my own identity. My first hits, in fact, were straight-up rhythm and blues. My voice was compared to Aretha Franklin's - though, for my money, no one compares to Aretha.
My years with Aretha Franklin have been very special, as were the years making records with Dionne Warwick. Other highlights include working with Janis Joplin, who was the first artist I ever signed, as well as Patti Smith and Alicia Keys.
Most importantly for me growing up, it was a spirituals, it was a gospels, it was James Cleveland, Aretha Franklin, Marion Williams; and then it was Curtis Mayfield - The Main Ingredient, The Whispers, Black Blue Magic, James Brown, Aretha Franklin, Luther Vandross - that music helped me preserves my sanity, help me preserve whatever dignity I was able to preserve, helping to keep going. It was a source of tremendous strength in my life.
The voice of God, if you must know, is Aretha Franklin's.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
For some producers who are technical-minded, making the song sound good is easy, and getting the emotion into the song is harder.
As a child I always wanted to be a singer. The music my mother played in the house moved me - Aretha Franklin, Chaka Khan, Mahalia Jackson. It was truly spiritual. It made you understand what God was. We are all spirits. We get depressed. But music makes you want to live. I know my music has saved my life.
Aretha Franklin, she's just the most amazing singer ever. But I think there are so many singers that I just loved and sang along to on the radio. I guess I just enjoy trying out different styles along the way.
I had BEEN making futuristic records way before a lot of the groups that came out, but now everybody is running to make their albums sound new, but it sounds too made up.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
Gershwin's melodic gift was phenomenal. His songs contain the essence of New York in the 1920s and have deservedly become classics of their kind, part of the 20th-century folk-song tradition in the sense that they are popular music which has been spread by oral tradition (for many must have sung a Gershwin song without having any idea who wrote it).
There are a few places, and not many in the swing states, there are a few places where they have been notorious for stealing votes: Pennsylvania, Chicago, places where a lot of cheating have gone on over the years.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out. But I've also always loved the technology part of it. I've always loved the studio part. Making albums. Besides writing songs, which has been my primary thing, making records would be second. Obviously, touring would be third. Touring wasn't my favorite thing to do, but the first few tours were pretty fun. Seeing the world and everything.
I've been getting into different gospel artists; Aretha Franklin is someone I've been listening to a lot of.
The idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio...well, that gives me satisfaction like nothing else.
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