A Quote by John Lahr
Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.
Related Quotes
I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
When I tried to do 'Waiting for Godot, it was such a controversy. I was tired of political theatre. All I wanted to do was 'Godot.' You know what happened? We were told we had messed up and politicised a classic that has nothing to do with S.A.
I belong to that generation who, as students, had before their eyes, and were limited by, a horizon consisting of Marxism, phenomenology and existentialism. For me the break was first Beckett's Waiting for Godot, a breathtaking performance.
My two boys have each done a play. They've done school plays as well, but one of them did a local production of 'Waiting For Godot,' and he played the boy.
Waiting for Godot was not allowed. Neither was Henry Miller. The Soviets condemned them both. Miller would have been used as an example of decadence, being a very good analyst of how terrible and monstrous American culture was. That they liked, but they wouldn't publish him. I guess it must have been the sex. With Beckett, it must have been the hopelessness.
If by Godot I had meant God I would have said God, and not Godot.
Godot is whatever it is in life that you are waiting for: 'I'm waiting to win the lottery. I'm waiting to fall in love'. For me, as a child, it was Christmas. At least that eventually came.
Waiting for the implosion [of the government of Romano Prodi] is risking to turn into Waiting for Godot.
Let's go." "We can't." "Why not?" "We're waiting for Godot.
We are waiting not for a Godot but for another-doubtless very different-St. Benedict.
I saw Waiting for Godot when I was 17 in rep with a then unknown actor called Peter O'Toole playing Vladimir. I remember leaving the theatre promising myself that one day I would have a go at this play and then pretty much forgot it for 50 years.
What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come
When I was 14, I saw 'Waiting for Godot.' It's one of those plays that if it's done badly is absolutely dire and can put you off acting for life. But I was laughing all the way through it.
'Waiting for Godot,' when it first came out in 1950, was a very different sort of play to the plays that were in the West End at that time in London, because most of those plays were what we call drawing-room comedies.
At the end of the block where I used to live in Coconut Grove in Miami, there's a swampy area, a no-name alcove with a little mangrove estuary. It's beautiful.
Just to be able to say that I'm from Miami, Florida, in the Winter Olympics was an honor, and I'm proud to be able to say that I'm playing on the U.S. national team for baseball from Miami as a Cuban-American.
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