A Quote by John Larroquette
I don't do a lot of guest shots on television.
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A lot of people live much more simply than in the old days. That doesn't bother me. Keeping busy is the problem. Television guest shot fees are going down. You can do a dozen guest shots a year, but you're not making that much money.
I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.
At first, we lived in very, very small places... with my mom cleaning houses and scrounging up just enough to keep us in town with a working car. She introduced me to my first agent, and I started with stand-in work, then eventually commercials and television guest-shots.
Sometimes jobs are jobs, and when you guest star on television, you're also working with a guest director. You're the new kid on the block, because everyone else is already in the ensemble.
For one year, I want to do this thing where I guest-star on as many television shows as I possibly can. I love television. The fact that television ultimately made me famous was very gratifying for me.
Six good guest shots on top shows during one season are more than enough and any producer who wants to make me happy could offer some floating guest dates for discussion and panel shows. It's generally agreed that I love to talk, so shows of this kind are right down my alley.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
I've been feeling really comfortable on clay because I have more time to set up my forehand. I can use a lot of different shots - drop shots and high balls. You can mix up a lot of shots, so it's actually more fun to play on clay.
If you're going to do a guest spot on television, they need bodies on those procedural TV shows. You've got to keep working, and that's where a lot of the work is.
In television, we are fortunate because we get to try a lot of things; we get to take a lot of shots. It gives us a great opportunity to tell many different stories from diverse points of view.
I've hit a lot of big shots and missed a lot of big shots, and I'll continue to shoot them.
An Albanian’s house is the dwelling of God and the guest.’ Of God and the guest, you see. So before it is the house of its master, it is the house of one’s guest. The guest, in an Albanian’s life, represents the supreme ethical category, more important than blood relations. One may pardon the man who spills the blood of one’s father or of one’s son, but never the blood of a guest.
I've got a lot to say about television. There's a lot going on in television right now and I feel like a huge part of television.
When you're playing spot minutes, it's harder to hit those shots. But if you're getting volume shots, now it's a lot easier to get a rhythm.
A lot of people say I'm reckless and I take too many shots. I take shots on the forehead. There's nothing wrong with that. It puts me in punching range.
If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.
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