A Quote by John Leguizamo

I was familiar with that and 'Rio Bravo.' 'Rio Bravo' was what John Carpenter did, that brilliant move of taking a western and turning it into an urban flick. And from there you got, you know, all the cop genre movies of the time.
I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too.
I'm a big fan of Clint Eastwood, but the Westerns I draw from most directly come from an earlier period in Hollywood. I actually look back at movies like 'Rio Bravo' and others I've liked over the years, and I capture pictures from the movies and use them as a reference for the scenes I create.
But if one could go back in time, I'd love to have been directed by Howard Hawks, who's one of my great heroes. One of the greatest directors there ever was. He directed probably one of the greatest westerns of all time in 'Rio Bravo'.
I'm in love with 'Bravo.' Me and my girlfriends love 'Bravo-ing,' which doesn't necessarily mean watching 'Bravo.' It's when you're a bum and you're on your couch watching reality shows.
I'm a planner, and most networks don't plan. Bravo doesn't plan. Bravo is lucky in a lot of ways - they've got a lot of great talent, but at the same time, they don't nurture it. They lost 'Project Runway.'
In Rio Bravo when Duke makes love to Feathers, the scene dissolves to the next morning where we see him putting on his vest and almost humming. It was subtle, but you knew what happened. Give me a towel and some blankets any day!
You know, we've got so much on Bravo and coming up on Bravo, and I think we have so much more going on than 'The Real Housewives.' And I think 'The Real Housewives' is a great, you know, great addition to the portfolio. I think it brings a lot of viewers under our umbrella. And I think they stay and sample other shows.
Brazil obviously connotes something in my mind to do with desire, sexuality and freedom. In fantasy, in mythology, Rio is the iconography of the imagination. In essence, we're all sex tourists. I've never been to Rio and I've never been to a psychoanalytic convention, but in a sense, Rio is symbolic of desire, some sort of ultimate ecstasy.
When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.
Right after high school, I moved to Rio and took classes to become a technician for a manufacturing factory where you had to figure out how to produce 3,000 pairs of jeans. But in Rio, I was by myself, which was very liberating, being so young. I got to do my own thing.
Everything that I got, it's special. I mean, I had the silver medal from Rio. Also was one of my best week ever on tour, playing for my country in Rio. Davis Cup, it's also special for me and for my country.
Rio was a period of my life, and then, poof, I'm gone. I was very young living here, just kind of floating. New York was a foundation for everything I do today. Rio was the bridge.
John Carpenter had a lot to do with putting social messages into genre movies.
A gold medal at the 2016 Rio Olympics is what I'm looking for. I have to pace my training in such a way that I'm at my best in Rio, and when I'm in form, no opponent can come in my way.
I've always known that Rio and Tokyo are my two Olympics. Now that Rio hasn't gone to plan, Tokyo has to work, and I'm more motivated than ever.
I don't watch my Rio races back. I'll look at my London 2012 races a lot. But not Rio.
This site uses cookies to ensure you get the best experience. More info...
Got it!