A Quote by John Lautner
Inherent in architecture, it involves everything in life so that there is absolutely no end to it. By the time you're seventy or eighty, you're still beginning. So, that's the kind of life I've preferred to being the expert at forty and dead, you know.
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Death is not the end, but the beginning of a new life. Yes, it is an end of something that is already dead. It is also a crescendo of what we call life, although very few know what life is. They live, but they live in such ignorance that they never encounter their own life. And it is impossible for these people to know their own death, because death is the ultimate experience of this life, and the beginning experience of another. Death is the door between two lives; one is left behind, one is waiting ahead.
It [motherhood] has changed absolutely everything. I mean, it's changed my life. I think I've changed as a human being more since I've had Kai than in any other period in my life...It's such an incredible catalyst for growth. I found myself questioning absolutely everything: how I spend my time, how I speak, what kind of projects I work on, how I look at the world.
In its mysterious past it encompasses all the dim origins of life and receives in the end, after, it may be, many transmutations, the dead husks of that same life. For all at last return to the sea - to Oceanus, the ocean river, like the ever-flowing stream of time, the beginning and the end.
A human being would certainly not grow to be seventy or eighty years old if this longevity had no meaning for the species. The afternoon of human life must also have a significance of its own and cannot be merely a pitiful appendage to life's morning.
You heard people say forty was the new thirty and fifty was the new forty and sixty was the new forty-five, but you never heard anybody say eighty was the new anything. Eighty was just eighty.
Who knows when the end is reached? Death may be the beginning of life. How do I know that love of life is not a delusion after all? How do I know that he who dreads to die is as a child who has lost the way and cannot find his way home? How do I know that the dead repent of having previously clung to life?
In your world everything must have a beginning and an end. If it does not, you call it eternal. In my view, there is no such thing as beginning and end - these are all related to time. Timeless being is entirely in the now. Being and not-being alternate and their reality is momentary. The immutable Reality lies beyond space and time.
To repent means to realize that the kind of life we are living is wrong and that we must adopt a completely new set of values. To that end, it involves two things. It involves sorrow for what we have been and it involves the resolve that by the grace of God we will be changed.
At twenty a man is a peacock, at thirty a lion, at forty a camel, at fifty a serpent, at sixty a dog, at seventy an ape, at eighty a nothing at all.
Eighty's a landmark and people treat you differently than they do when you're seventy-nine. At seventy-nine, if you drop something it just lies there. At eighty, people pick it up for you.
Remember, life is always uncertain. Everything dead is certain, life is always uncertain. Everything dead is solid, fixed - its nature cannot be changed; everything alive is moving, changing - a flow, a liquid thing, flexible, able to move in any direction. The more you become certain, the more you will miss life. And those who know, know life is God. If you miss life, you miss God.
Be still and know yourself as the Truth you have been searching for. Be still and let the inherent joy of that Truth capture your drama and destroy it in the bliss of consummation. Be still and let your life be lived by the purpose you were made for. Be still and receive the inherent truth of your heart.
Six hundred and forty fish later, the only thing I know is everything you love will die. The first time you meet someone special, you can count on them one day being dead and in the ground.
At seventy-four I'm getting minor raves on my looks, but I'm caught in the middle. Who knows what seventy-four looks like? Who cares? But if I'd listened to my friends, I could now lie and say I'm eighty-four. For eighty-four, the way I look is spectacular.
It wasn't really touching to be young; it was touching not to be young, because you had less of life left. Touching to be thirty; more touching to be forty; tragic to be fifty; and heartbreaking to be sixty. As to seventy, as to eighty, one would feel as one did during the last dance of a ball, tired but fey in the paling dawn, desperately making the most of each bar of music before one went home to bed.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
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