A Quote by John Mayer
You know I used to be the back porch poet with my book of lines, always hoping knowing all the time, I'm probably never gonna find the perfect rhyme. . .For heavier things
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Advertising just keeps getting heavier and heavier and heavier. It doesn't have any natural limit, and we haven't found the place for the limit. And I think it's really important, therefore, that some of the revolts that are undergoing right now, you know, whether it's ad blockers or other things, are people trying to set some lines so that we say, you know, this far but no further. And this is where it ends.
Rhyme to kill, rhyme to murder, rhyme to stomp,
Rhyme to ill, rhyme to romp,
Rhyme to smack, rhyme to shock, rhyme to roll,
Rhyme to destroy anything, toy boy.
On the microphone:
I'm Poppa Large, big shot on the East Coast.
The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."
No poet is required to write in stanzas, or indeed in regular forms at all. Coleridge's 'Dejection: An Ode' has a rhyme scheme and sequence of long and short lines that goes without regular pattern, following the mood and whim of the poet. Such a form is known as an irregular ode.
Knowing can be a curse on a person's life. I'd traded in a pack of lies for a pack of truth, and I didn't know which one was heavier. Which one took the most strength to carry around? It was a ridiculous question, though, because once you know the truth, you can't ever go back and pick up your suitcase of lies. Heavier or not, the truth is yours now.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.
I find it difficult to work if I don't know the lines, you know, and not just knowing - they're second nature to me. Then, whatever happens in the performance when you're actually doing it, you're not going to go off. You're going to retain all of that. So I like to have my lines.
If you're a poet and you're using rhyme, rhyme generates ideas. If you're a songwriter and you're using melody and words together, they bounce off each other in interesting ways that you couldn't get otherwise, because you do things unexpectedly.
She doesn't know I cry for the changing times. That just as I reread favourite books, some small part of me hoping for a different ending, I find myself hoping against hope that the war will never come. That this time, somehow, it will leave us be.
a person hoping to become a poet must have the capacity of thinking of several things at a time.
There's always a certain concern whenever you go and shoot a field piece: that maybe all the elements won't come together, knowing that you have limited time to tell a story, hoping that you get all the elements you need, hoping the subjects are comfortable.
But if everything was always smooth and perfect, you'd get too used to that, you know? You have to have a little bit of disorganization now and then. Otherwise, you'll never really enjoy it when things go right.
We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology.
Isn't it curious how one has only to open a book of verse to realise immediately that it was written by a very fine poet, or else that it was written by someone who is not a poet at all. In the case of the former, the lines, the images, though they are inherent in each other, leap up and give one this shock of delight. In the case of the latter, they lie flat on the page, never having lived.
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
You're always gonna have your anorexics and you're always gonna have your bulimics. I'm hoping that young girls will look up to the girls that are the size 4, 6, and 8's, and know that super super skinny is not pretty - just ask any guy!
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