A Quote by John Morrison
At the end of the day, I look at it like this: pro wrestling is really hard on the performers, the luchadoras, and any time a performer is in a position to do something good for themselves and make money, I'm always happy to see that happen.
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When I look around, I see so many incredible Black performers, inside and outside of our company. It feels like a really great time for Black wrestlers, and there are so many Black wrestling fans that I feel are starting to see themselves on screen.
I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.
My goal isn't just to make wrestling into a bigger show and make good money, but it's also to evolve pro wrestling to where I think it belongs.
The nWo was the greatest time in professional wrestling because we were going into mixed stadiums like the Georgia Dome. That was one of the greatest times in pro wrestling and was the most profitable time in pro wrestling.
It's hard for me to be happy because I'm always worried about something going awry or what could happen to screw it up. It's hard for me to sit and look around, going, 'Ah, I'm really happy.' I'm not that kind of person.
I'm so not a performer, my drive to do [acting] is so different to other people - and I'm not discrediting that, they're born performers, they're people that you love to watch just be themselves. I like to be a little bit more in control. I like to make something.
There was a time that I really loved pro wrestling, but I'm not a pro wrestling junkie, per se.
He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.
I can make a valid argument that Bobby Heenan is pro wrestling's great performer.
Pro wrestling is pro wrestling and it's one of those industries where things change on a dime. I'm coming up on 19 years in a business with various companies and often one day you're there and the next day you're gone.
MMA and the UFC have taken all of the pro wrestling fans because it's pro wrestling from 30 years ago, just in an Octagon and the fights happen to be real. But they're marketed exactly the same way.
Self-awareness is a character trait that's horrible to have if you're a performer. I think that a lot of these performers that we see get up on stage and play music, there's a sense of them truly not caring how they're coming across. They are just themselves. I look up to a lot of people who are like that.
I feel like I started with wrestling, and a love of pro wrestling, that lead me to MMA and the UFC. And now it's come full circle back to pro wrestling.
I think as females, we always want to have more air time, more room time, more - longer matches and more main events. But, at the end of the day, we're going in that direction, and I'm happy with that, and I'm happy with the side everyone has taken in women's wrestling.
The two sports are as different as Ping-Pong and rugby. In boxing, you don’t know what’s going to happen. In wrestling, it’s already prearranged. But the thing I didn’t know about wrestling is that you really get hurt. Because, you know, you’re wrestling in front of a live audience, and you end up doing things like jumps or slams, and 40 percent of the time you don’t land right.
I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.
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