A Quote by John Pinette

Just coming to L.A. to be a comic and an actor, it's not the kindest world to come to. There's a lot of rejection, which I'm not used to. I hate rejection, but it's about 90 percent of the business.
It's 90 percent rejection, being an actor.
I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.
I think rejection is a huge part of the business and there's so many cute girls that grow up with kind of being adored or people kind of bending over backwards for them. I see a lot of girls who aren't used to rejection because of that, and now all of a sudden they drop out of the business.
The thing that stand-up does for you is that it toughens you up a bit as far as the business goes. It's hard. If a joke doesn't get a laugh, that's instant rejection. And that's mostly what this business is most of the time: a lot of rejection.
I've had a lot of failures as well and rejection. As actor, it's actually mostly rejection but people think it's mostly success because they only see your successes - the films that get made.
It is not rejection itself that people fear, it is the possible consequences of rejection. Preparing to accept those consequences and viewing rejection as a learning experience that will bring you closer to success, will not only help you to conquer the fear of rejection, but help you to appreciate rejection itself.
I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt- and there is the story of mankind.
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
I'm tempted to say that the top three reasons for hopelessness are rejection, rejection, rejection. But let's cast our net wider. 1) Not being able to write as well as we hoped we could. 2) Not being able to write at all. 3) Rejection.
The successes in the entertainment business are like one percent of the iceberg that you see, and the other ninety-nine percent, which is the rejection and the failure and the work and the toil and the sacrifice, is the rest of the iceberg that's below the water.
It's not really an easier racket than acting is. For some reason, I guess it had - the rejection of an illustrator's life is less penetrating than the rejection of an actor's life. So I was able to manage that. But all the while, I still nursed that old dream of being an actor.
Coping with rejection is an important skill to learn and understand when navigating the Art World. Rejection and disinterest is the rule, not the exception.
Science is the search for truth, that is the effort to understand the world: it involves the rejection of bias, of dogma, of revelation, but not the rejection of morality.
We shouldn't romanticize rejection. There's nothing romantic about rejection. It's horrible.
I don't think of rejection as rejection, just a bad fit. Then I seek out other avenues of acceptance.
There are no real successes without rejection. The more rejection you get, the better you are, the more you've learned, the closer you are to your outcome... If you can handle rejection, you'll learn to get everything you want.
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