A Quote by John Paul Caponigro
Visual artists choreograph dances for the eyes, guiding visual journeys in specific ways. But when presented with little or nothing, the journeys of the eyes become erratic and finally still their restless searching. The eye and mind and heart grow quiet, come to rest, and begin to understand their own functioning more deeply.
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I've got deeper journeys to take. Metaphysical journeys. Journeys to see Christ. Shaman journeys. It's what I've been elected by God to do.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
I'm so in awe of what visual artists do and I do understand the differences of what visual artists do. I have a small art collection I hope to expand.
Television is a visual medium. You have to create some kind of visual interest. And it's entertainment for your eyes.
When I began to choreograph and find my way pulling other artists' dreams out and changing music in a visual way, there was still a part of me that had something more to say. There was still a desire to rock a stage and ultimately perform the eight count of my dream, but there was a lot of insecurity there.
I do feel that both visual artists and writers look out at the world in a similar way, and wonder at what they see. They want to record the visual world in their own, distinctive ways. We could call it "attention to detail," which also makes a good carpenter, for instance. To be what Emerson called the "transparent eyeball" (which is a phrase that makes me a little queasy) is a noble quest, I feel. It's a quest for honesty, and as Frost put it, a momentary stay against confusion. If I had more talent and courage, I would still love to be a painter.
I've been a visual artist my entire life, so translating music to imagery has always come naturally to me. Tycho is an audio-visual project in a lot of ways, so I don't see a real separation between the visual and musical aspects; they are both just components of a larger vision.
I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.
We all travel the milky way together, trees and men; but it never occurred to me until this storm-day, while swinging in the wind, that trees are travelers in the ordinary sense. They make many journeys, not extensive ones, it is true; but our own little journeys, away and back again, are only little more than tree-wavings - many of them not so much.
That's what makes it so right. Your eyes—your soul is there, but the rest of you is still so undefined. That's the beauty of childhood. The eyes show everything you've seen so far, but the rest of you is still so open to possibility, to whatever you might become.
In my own research when I'm working with equations, I never feel like I really understand what I'm doing if I'm solely relying on the mathematics for my understanding. I need to have a visual picture in my mind. I'm constantly translating from the math to some intuitive mind's-eye picture.
I often envy my friends who are visual artists. Visual artists have other things to work with. Other media. I envy my sculptor friends: they have hunks of matter. Marble. Wood. It's physical, which I find very appealing. What we have is nothing, is just glaringly blank.
I love writing picture books and story books because of the exciting, visual life that artists and illustrators give to them. And most of all, I love writing novels because of the inner, emotional journeys that they take me on. Hopefully, the reader comes with me!
There is nothing--no circumstance, no trouble, no testing--that can ever touch me until, first of all, it has gone past God and past Christ right through to me. If it has come that far, it has come with a great purpose, which I may not understand at the moment. But as I refuse to become panicky, as I lift up my eyes to Him and accept it as coming from the throne of God for some great purpose of blessing to my own heart, no sorrow will ever disturb me, no circumstance will cause me to fret, for I shall rest in the joy of what my Lord is--that is the rest of victory!
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
Whatever of goodness emanates from the soul, gathers its soft halo in the eyes; and if the heart be a lurking place of crime, the eyes are sure to betray the secret. A beautiful eye makes silence eloquent, a kind eye makes contradiction assent, an enraged eye makes beauty a deformity; so you see, forsooth, the little organ plays no inconsiderable, if not a dominant, part.
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