A Quote by John Romaniello
Agents are deal makers, and they're really, really good at making deals. But they're also exceptionally helpful after the deal is made - agents act as a good intermediary between authors and publishers whenever disagreements come up.
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People are very good [at] thinking about agents. The mind is set really beautifully to think about agents. Agents have traits. Agents have behaviors. We understand agents. We form global impression of their personalities. We are really not very good at remembering sentences where the subject of the sentence is an abstract notion.
I deal with the authors I work with, agents, and other departments of the company, talking about both the books that I'm working on and everyone else's. Then there's dealing with foreign publishers: foreigners visit all the time. People want to bounce things off the publisher, and a lot of it is encouragement.
I hate politics, hate deals, and deal-making, hate meeting with attorneys and agents.
I don't know one Jewish person that doesn't want to have a deal, a good deal, a proper deal, but a really good deal.
Nothing should be used anywhere that is not edible. We should not clean our house with substances that are toxic carcinogens. It's not necessary. There are anti-bacterial agents, and antiseptic agents, that are non-toxic. That's really our focus, and my personal focus: to make consumer goods that don't just smell good, but taste good, and can be used to anoint one's self and also the environment in which you are living in.
And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'
Agents and publishers only want one thing - good writing.
Never make too good of a deal. It sounds a little counterintuitive, but the deals that are too good of a deal for you in the long run will end up hurting you. A lot of people in our business don't realize that. They think their job is to go in a room and negotiate the highest price.
I got signed with the songwriting deal when I was sixteen and they were really great - my publishers, who to this day are still my publishers and are like my musical family, my second family - they took me in and taught me what a good song is.
Publishers, editors, agents all have one thing in common, aside from their love of cocktail parties. It's an incredible taste and an ability to find and nurture authors.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
I think that a really good agent should be able to get the right publisher, which the agent has already figured out, get as much money as she can from that publisher, and make a deal, rather than have the amount of money determine the sale. That's what the best agents do.
Whenever something good comes up that sounds like I could be part of the project, my manager and my agents send me in on it.
It is really really important that you deal with Trump either by letter or by personal contact. Trying to deal with him on telephones or through the media is not a good idea.
I've also followed through on my campaign promise and withdrawn America from the Trans-Pacific Partnership so that we can protect our economic freedom. And we are going to make trade deals, but we're going to do one-on-one, one-on-one. And if they misbehave, we terminate the deal. And then they'll come back, and we'll make a better deal. None of these big quagmire deals that are a disaster.
I've stopped reading about the death of books because it's wasteful and morbid and insulting to the authors, agents, publishers, booksellers, critics, and readers that keep the world community of fiction interesting.
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