A Quote by Jon Ronson

Film people can be quite ruthless and tough. I think it's because the industry is filled with talented, driven people chasing nowhere near enough work. — © Jon Ronson
Film people can be quite ruthless and tough. I think it's because the industry is filled with talented, driven people chasing nowhere near enough work.
I've got a lot to learn, and I'm very blessed to work with such talented actors. I'm nowhere near my goal. It's all about applying yourself and taking time to work and train.
I think the people who are saying jazz has to sound a particular way, or "what you're doing isn't jazz," are just scared because they can't do it. A lot of them just aren't talented enough to do anything new, honestly. It's the people who are talented enough and who have the open mind and who are forward-thinkers are the ones who are doing something new. You tend to hate on what you can't produce.
That's why I kept going with my school - I wasn't talented. That's what's the difficulty - you want to define key talents when they are 12, 13 or 14? When I was that age I was nowhere near. People had given up on me.
I do feel like a fraud a lot of the time because I've never been interested in people who say 'I'm a writer', 'I'm an artist'. Too much is made of the role and not enough of the work. We are such a celebrity-driven age and a status-driven age, that the status becomes more important than the actual work.
The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
I don't know if there's ever been a female-driven film or a male-driven film. I don't believe in that. I believe a film is a film - a movie can only work if everything about the film works.
The people who work in the fashion industry and the people who work in the film industry have a lot in common. They're very creative. Their eye is very aesthetic.
I think there is no racism in this film industry. They are only in need of talent, though it takes time; but, if you are talented, you will get your due. I am thankful to be part of this industry.
In DC, policymakers think that if we can only have high enough standards, tough enough tests, and hold people accountable, we can close the achievement gap. And it hasn't happened. Yet the new law, the Every Student Succeeds Act, is based on the same test-based and market-driven framework and ideology, except it lets the states do it.
Most people only work enough so that it feels like work, whereas successful people work at a pace that gets such satisfying results that work is a reward. Truly successful people don’t even call it work; for them, it’s a passion. Why? Because they do enough to win!
Our young people are some of the best and most talented in the world - they are driven, entrepreneurial, and innovative - and with the help of people who have already made it in the world of work, they can go on to be the bosses and employers of the future.
'Shaadi... ' made people see me as an actor. A lot of filmmakers called and said I was really good in the film... People from the industry - who never spoke to me, didn't think I was a great actor because they hadn't seen my work - said I can act.
People might think writing is a hard business, but it's nowhere near acting.
I do think that people outside the fashion industry imagine that being a model is what you might call quick, easy money, but it can be very lonely - you have to be quite tough. It's also very physically demanding.
I would say, while I think audiences are savvy enough, I think that the effects work in the teaser is quite a bit more than presentable. I think they look good and representative of the film. The harder thing with the teaser, interestingly enough is, how much to show.
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