A Quote by John Ross Bowie

The days are long. I'm not complaining, but it's a lot of work doing a single-camera comedy. — © John Ross Bowie
The days are long. I'm not complaining, but it's a lot of work doing a single-camera comedy.
I do a lot of comedy and I like that. I am happy doing funny films. I am often the straight person in a comedy, which is great as long as there are talented people to work with.
I'm not complaining about doing 20-hour days. It's a joy to be able to work on yet another film.
I was open to anything. That doesn't mean I would do anything, it just means I was open to anything. I've met for dramas, single camera comedy, multi-camera comedy. I take each script as an individual project.
Hard work certainly goes a long way. These days a lot of people work hard, so you have to make sure you work even harder and really dedicate yourself to what you are doing and setting out to achieve.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
Complaining is good for you as long as you're not complaining to the person you're complaining about.
When you've worked as long as I have, which I'm truly grateful for, you go in and out of these different environments. Sometimes it's not so much fun or easy or healthy. Sometimes you're fighting a lot of things off-camera that have nothing to do with the work on-camera.
Anytime you're the creative force behind something and in front of the camera - we're not complaining, but it is an avalanche of work.
I love TV. I think I'd do a half-hour single-camera comedy.
I remember like that scene with Pharrell where they're at the music video shoot, we have this on camera actually, Pharrell's confused because we weren't doing the script. We were doing all this improv and then Diddy says to him... Pharrell's like I don't understand what's going on and Diddy goes, "We do a lot of improv". (laughter) I remember being we just made him into a comedy nerd. We somehow turned Sean Combs into a comedy nerd, so.
I started doing comedy with no plan to do voice work. Voice work came as a function of doing comedy and meeting people who eventually develop shows like that. I didn't seek out from an early age to be on cartoons.
I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.
It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.
I hate complaining about paparazzi, I hate complaining about being recognised, because if I ultimately didn't want to be an actor or in the public eye, I would quit doing what I do. That's not the reason I do it, but I love the work so much that it's worth it.
I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
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