A Quote by John Sexton

It was amazing to watch him in the darkroom at an advanced age, still get excited when the results were pleasing. He still struggled like we all do in the darkroom and he struggled behind the camera, and when he had a success he was beaming.
I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
All the time I had my success, I didn't know what I was doing. I struggled and struggled and hacked things out without any insight as to why.
There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's, like, imagery there. That always stuns me.
There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's like imagery there. That always stuns me.
I told myself, 'When I grow up, I want to make pictures that can inspire and nourish people.' Immediately, when I was 10, I started photographing nature. I built a darkroom. My first really good darkroom, not just down in the cellar, was when I was 14.
It's a shameful piece of history and I think - I don't mean to be political or sobering or anything - but I think America, the United States, we still have to deal with the issue of our original sin, which was slavery. And I think we're seeing the ramifications, the consequences, of not really facing the truth as to what we as a nation struggled towards. You know, struggled with and are still struggling and rectifying.
I still do all my developing and printing in my darkroom. Being in New York, you get tremendous exposure to great arts. In my student years, I saw exhibitions of August Sander and Diane Arbus. I still go back to their pictures. I don't really go for contemporary photo shows.
I like the legend behind him. James Dean symbolizes the young actor's dream. He struggled to get into Hollywood. He shot to fame at the age of 24 but only got to star in three films. It's kind of a fantasy of what could have been.
I struggled to learn basic skills, get a grip on markets, find my own unique voice, create story lines and come up to speed with the industry. I struggled for ten years before having any success.
I still don't understand why when you put a piece of paper in a tray with solution in it, it comes up. It's still, in a sense, magic to me. It's a funny thing, you know. I've got two kids, and when they were very young, they used to come in the darkroom and I thought they'd be astounded by that. Nothing. When they got a little older, then they got astounded by it.
When I first asked to take pictures of women at their homes, I was using my formal camera and I struggled to get the shots because I was still very much in the role of the photographer. Then the next time I had this little digital camera and their response to me would be completely different - I was a friend and I got new kinds of pictures. I was always treading a line between photographer and friend.
He struggled to breathe through the agony in his chest. The Fates were still mocking him. It must be a boring day for them up on Olympus.
I struggled to get into any sort of team as a kid, but I struggled along and, though it's amazing how long it has actually taken me, I am finally in the Premiership and to play against my old mates from West Ham, the team I supported as a boy, was unbelievable.
I come from a family of eight on public assistance, my parents were separated. My mother struggled, my father struggled.
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