A Quote by John Steinbeck

A few miles south of Soledad, the Salinas River drops in close to the hillside bank and runs deep and green. The water is warm too, for it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool.
Landscape is my religion. ...God in a green legend, I lean over the pool In a testament of leaves. I dangle my twinkling mood Before me in a cool cave roofed with branches And floored with a skin of water.
I start my day with warm water with a few lemon drops.
One is quite astonished to find how many things there are in the landscape, and in every object in it, one never noticed before. And this is a tremendous new pleasure and interest which invests every walk or drive with an added object. So many colours on the hillside, each different in shadow and in sunlight; such brilliant reflections in the pool, each a key lower than what they repeat; such lovely lights gilding or silvering surface or outline, all tinted exquisitely with pale colour, rose, orange, green or violet.
When stuck in the river, it is best to dive and swim to the bank yourself before someone drops a large stone on your chest in an attempt to hoosh you there.
Dreaming by the river, I dedicated my imagination to water, to clear, green water, the water that makes the meadows green.
The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember?
Still Caine hesitated. A big, warm bed. A beautiful girl to share it with. Food. Water. Everything he needed, just a few miles away on the island. The logical, rational answer was obvious. "Which is why the world stays messed up," Caine said under his breath. "People aren't rational." He took a few deep, steadying breaths, and prepared to die for power.
How could drops of water know themselves to be a river? Yet the river flows on.
About fifteen miles above New Orleans the river goes very slowly. It has broadened out there until it is almost a sea and the water is yellow with the mud of half a continent. Where the sun strikes it, it is golden.
The problem with water, though, is that the shortfalls don't show up until the very end. You can go on pumping unsustainably until the day you run out. Then all you have is the recharge flow, which comes from precipitation. This is not decades away, this is years away. We're already seeing huge shortages in China, where the Yellow River runs dry for part of each year. The Yellow River is the cradle of Chinese civilization. It first failed to reach the sea in 1972, and since 1985 it's run dry for part of each year. For 1997 it was dry for 226 days.
Most autumns, the water is low from the long dry summer, and you have to get out from time to time and wade, leading or dragging your boat through trickling shallows from one pool to the long channel-twisted pool below, hanging up occasionally on shuddering bars of quicksand, making six or eight miles in a day's lazy work, but if you go to the river at all, you tend not to mind. You are not in a hurry there; you learned long since not to be.
I am in need of music that would flow Over my fretful, feeling finger-tips, Over my bitter-tainted, trembling lips, With melody, deep, clear, and liquid-slow. Oh, for the healing swaying, old and low, Of some song sung to rest the tired dead, A song to fall like water on my head, And over quivering limbs, dream flushed to glow! There is a magic made by melody: A spell of rest, and quiet breath, and cool Heart, that sinks through fading colors deep To the subaqueous stillness of the sea, And floats forever in a moon-green pool, Held in the arms of rhythm and of sleep.
The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.
The miracle of light pours over the green and brown expanse of saw grass and of water, shining and slowly moving, the grass and water that is the meaning and the central fact of the Everglades. It is a river of grass.
I like to carry a concealer palette that has a green, a yellow, and a tan color. I like to carry the green one because when I have a pimple, it's good to use that to contrast the red. Then you put the yellow over it, and it helps it disappear.
My palette contains a warm and cool of each primary, plus four modifiers: Yellow Ochre, Burnt Sienna, Blue-Violet and Phthalo Yellow-Green just mix as I go for each painting.
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