A Quote by John Sayles
For me the writing, when I'm going to direct it myself, is really just the first draft, and I don't change it very much; I only change it on average about two lines per movie.
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I was a lot dumber when I was writing the novel. I felt like worse of a writer because I wrote many of the short stories in one sitting or over maybe three days, and they didn't change that much. There weren't many, many drafts. That made me feel semi-brilliant and part of a magical process. Writing the novel wasn't like that. I would come home every day from my office and say, "Well, I still really like the story, I just wish it was better written." At that point, I didn't realize I was writing a first draft. And the first draft was the hardest part.
One of the reasons I like immersing myself in different texts, putting myself in the company of other writers, is that they do change your vocabulary. They change what you write about or they change the length of lines.
I guess what I like in my movies is where you see a character change by maybe two degrees as opposed to the traditional movie change of ninety degrees. I guess that always feels false to me in movies because that doesn't truly happen. Around me, at least in the life I live, I guess I don't see people change ninety or a hundred degrees. I see them change in very small increments. I think it's just a monitor I might have on myself as a writer to not make any false scenes.
Divorce is just about change, you know. It's God saying, You need a change. And I'm going to make it so your bank account only has change.
and i don't just mean that they change you. a lot of people can change you - the first kid who called you a name, the first teacher who said you were smart, the first person who crowned you best friend. it's the change you remember, the firsts and what they meant, not really the people......i'm talking about the ones who, for whatever reason, are as much a part of you has your own soul. their place in your heart is tender; a bruise of longing, a pulse of unfinished business.
I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.
I think of myself as a comedian who has the pleasure of writing jokes about things that I actually care about, and that's really it. I have great respect for people who are in the front lines and the trenches of trying to enact social change, but I am far lazier than that.
From the first time I did a movie, people have said, 'Oh, it's all going to change now.' And it would change, but very incrementally. I think I prefer that to some big explosion of fame all of the sudden.
The impact of climate change is relatively small. The average impact on welfare is equivalent to losing a few per cent of income. That is, the impact of a century worth of climate change is comparable to the impact of one or two years of economic growth.
I don't think the war is going to end, but the war is just going to change. So we talk about change all the time, well that's what's going to change. You know, we tried having an idiot try and justify the war and give us these rationales and now we're going to have a very articulate and capable black man say it.
I write until the first draft is finished, and then I feel that I can get out. But, during the time of the writing of the first draft, I don't go out. I'm just locked away, writing. It's a time of meditation, of going into the story.
My biggest mistake: not wanting to help myself into thinking I am happy, that change would come about without really trying to change, or wanting to change. Procrastinating about changing. I do want to change.
To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
Let's just say that where a change was required, I adjusted. In every relationship that exists, people have to seek a way to survive. If you really care about the person, you do what's necessary, or that's the end. For the first time, I found that I really could change, and the qualities I most admired in myself I gave up. I stopped being loud and bossy... Oh, all right. I was still loud and bossy, but only behind his back.
My approach is I put God first; I say "God willing" all the time. The only way things will change is with God. So knowing that I can't really change anything, I'm just going to satire it.
After finishing the first draft, I work for as long as it takes (for two or three weeks, most often) to rework that first draft on a computer. Usually that involves expansion: filling in and adding to, but trying not to lose the spontaneous, direct sound. I use that first draft as a touchstone to make sure everything else in that section has the same sound, the same tone and impression of spontaneity.
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