A Quote by John Wells
You want to mix acting styles correctly. People approach the work in different ways. You want to make sure no one wants to kill each other because the approach is different.
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Different people approach the universe in different ways, but they also approach their own expectations in different ways.
Acting is a state of being, and the camera can tell instantly if you're lying. But there are many different ways to approach that state of being. Each director has his own approach to the situation, and that's really interesting.
I have a respect for Young Jeezy. But the reason things didn't work out for me and Young Jeezy was because our approach to the industry... My approach to the industry was a tad bit different than his. I wanted to approach my career a different way; he wanted to go a different way.
Well every moment, every project is different. I took a very slow approach to acting, trying to really work with people I could learn from. And I got something different out of each experience.
Anytime you get a group of people, they're going to have different ideas and they're going to want to approach situations in different ways.
People from different backgrounds approach a subject in different ways and ask different questions.
I'm fortunate to be able to draw in different styles, but each style demands another approach from the previous.
I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
I never want people to say, 'Oh, another Eddie Rabbitt record.' Each has to have a little different approach than the others.
I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.
Labor party wants to make the economy fairer for everybody with a new industrial strategy and by investing in different parts of the UK. And we are not following the cynical approach of saying: Young people don't usually vote so we don't have to make any offer to them. But to succeed, we need a progressive future partnership with the EU. It is not easy, but I genuinely think it is possible to do. And I want Labour in power to do it, because the damage that is being done is profound.
And every match is different: you have different opponents, different situations, different conditions. So there's no one approach that's going to work all the time.
There are people - I think this is why there are so many commercial directors doing well in big studio movies, for whom it's not a personal choice - it's "What's the coolest, most effective way to make them laugh, make them scream?" It's a very calculated approach. And that's different. It's not better or worse. It's just a very different approach to filmmaking. That's always been the case.
The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
I'm only ambitious in the sense that I want to work in as many different media as I can and to play characters which are different to me and to each other. I want to do work that frightens me or challenges me, be it in Dublin or Zimbabwe. I just want to be working.
The ultimate success formula: I) Decide what you want (Be precise! Clarity is power) II) Take action (because desire is not enough) III) Notice what's working or not (You don't want to continue to expend energy on an approach that's worthless IV) Change your approach until you achieve what you want (Flexibility gives you the power to create a new approach and a new result.)
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