A Quote by John Wesley Harding
With me more than anybody it seems silly having a stage name, and there wasn't any particular difference between me and John Wesley Harding. There wasn't any need to draw that line. I just happened to draw it.
Related Quotes
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
If you consider that a single straight line can be drawn between any two points, one day I'm going to draw a line from him to me or me to him.
A friend of mine pointed out to me, "Why do you separate your writing and your music?" I got (writers) Rick Moody and Jonathan Ames to do the first one, and it just kind of gathered steam; then NPR picked it up. It is a nice way for me to marry both sides of my career, a move that's probably culminated in me dropping the name John Wesley Harding.
If they'd said, "Do you want to be John Wesley Harding or Wesley Stace in 25 years' time?" I would have said Wesley Stace, but I wasn't to know.
The people you might lose are the people who look at a marquee and are like, "Oh, John Wesley Harding is playing. I went to see him play 20 years ago." But if they see Wesley Stace, they might make absolutely no link between those two things at all.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it. You cant draw it for others. You can try, of course, but it doesn't work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
The guy who could be me, but he knows when to draw the line, is John Cena. John Cena can rock 'n' roll, let me tell you.
Evolutionary biology is crazy because sometimes it seems anybody can draw any conclusion they want.
The reason I did the name change is simple. I wrote a bunch of autobiographical material and I was really enjoying myself doing it, and in two of the songs I quote two different people (referring to me as Mr. Stace). And it just hit me at some point that it was ludicrous for me to think of myself as Wesley Stace, publish novels as Wesley Stace, be Wesley Stace and not have it released as Wesley Stace.
If I do need to make money suddenly, I prefer to just draw something I want to draw and have someone else sell it for me on the Internet.
I never envisioned being a rock star. I envisioned the stage. I would draw and draw and draw the stage, or the tour bus. It was much simpler.
I'm very into familiar things, popular things. I'm into things that no one seems to know about or be into. I'm trying to draw a line between those two things and make it clear... that it all makes sense to me. That it's not disparate. That it's all one thing inside me.
I draw the line between me and my character.
Allow me to draw your attention to the value and beauty of marriage. The complementarity of man and woman, the vertex of the divine creation, is being questioned by gender ideology, in the name of a freer and more just society. The difference between man and woman is not meant to stand in opposition, or to subordinate, but is for the sake of communion and generation, always 'in the image and likeness of God.'
John Wesley tells of a dream he had. In the dream, he was ushered to the gates of Hell. There he asked, "Are there any Presbyterians here?" "Yes!", came the answer. Then he asked, "Are there any Baptists? Any Episcopalians? Any Methodists?" The answer was Yes! each time. Much distressed, Wesley was then ushered to the gates of Heaven. There he asked the same question, and the answer was No! "No?" To this, Wesley asked, "Who then is inside?" The answer came back, "There are only Christians here."
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