A Quote by John Flansburgh
If you're looking at the array of performers, there's just a lot of people that it's about getting closer to them. That's not really our focus. It's funny, with the kids' stuff, we really sell ourselves as the MC, but it's much more like we're Ed Sullivan than we're like Sting. We're just the presenters. And that's an idea that we're very comfortable with.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up. My idea was: Enjoy baking, sell your bread, people like it, sell more. Keep the bakery going because you're making good food and people are happy.
We were thinking about how other people deal with this career on every song. We got to meet people like Thom Yorke and hear him say how it's never normal when fans just come up to you. It's always a strange job. We don't want to come off like we're pitying ourselves for having this job because it's really amazing in a lot of ways. But there's a lot of stuff that comes with it that we're not really comfortable with.
You know, an idea is just an idea. There seems to... the kind of epiphanies that you have, like the little sudden bursts of light, they're very small and they're very short and it's the pursuit of the idea that's the important thing. . . . I know a lot of people who have way better ideas than I do that-much more frequently than I do that just can't sit down and actually do it. Ideas are such are a little overrated really; it's the work behind the idea that's the important thing.
When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
When I hear myself speak French, I look at myself differently. Certain aspects will feel closer to the way I feel or the way I am and others won't. I like that - to tour different sides of yourself. I often find when looking at people who are comfortable in many languages, they're more comfortable talking about emotional stuff in a certain language or political stuff in another and that's really interesting, how people relate to those languages.
'So Much More Than This' is about just getting tangled up in all of the drama and stuff that really does not matter and probably won't matter in, like, three months.
I like ones that pertain to the music they make. Talking Heads does that somehow. More often than not band names are just a quirky joke that doesn't really stay funny for very long. It's like Homer Simpson's barbershop quartet, the Be Sharps. At first you're like, 'That's funny!' Then you're like, 'It's not that funny.'
You'd be surprised how quickly our identities evaporate when we were able to connect with people on a very personal level because we're all really trying to chase the same dream, we are looking for the same thing, we're raising our kids, we're just trying to get along. And, right now we are able to show people, hey, I'm just a human being like you are, I've got to take care of my kids and my family just like you, how can I help you?
I was fortunately able to avoid getting into any trouble with police. There was - I remember I was 12, and I did something really (laughter) - a couple of friends, Cinco de Mayo - we were off school, and we saw some people looking like they were having a party. And we had a little bit too much time on our hands, and so we figured, as kids, a great idea would be to throw some things over the fence and hit all these people with stuff, like eggs and everything.
Sometimes people are looking for, 'What's the next Tesla car? What's this really cool, super-specific thing that people are going to want?' But I try to be just like a Ford truck. They sell a lot more Ford trucks than they do Tesla cars.
Unless I really make an effort, I quite enjoy looking a bit off and something looking a bit wrong. That's how I feel most comfortable. If anything, it's just because I'm, like, very scatty and not very good at putting stuff together.
For about seven years. I really like it there. There are a lot of great musicians. The scene is very open. A lot of stuff going on. People's ears are really open, they are not closed. A lot of scenes here, people just get tunnel vision and are into one thing.
I personally love auditioning. It's not just about that part: it's about getting to meet new people and really introducing myself to them - getting my name out there more than getting just that project.
That's still the greatest high, that feeling of being in control of 2,000 people. It's me and them, and I like the odds. It's not even so much the funny. It's getting them quiet. In the quiet moments in '700 Sundays,' I just really love that they're getting moved.
I just write about myself all the time, which is a funny one, because I don't really like sharing much stuff with other people, apart from music.
Most people are really fighting to not be adults. And, when it happens, it's a big transition. And a lot of that is just awful. It's awful to have to get a job and really be responsible for other people. And it is funny, too. Like, we're all kind of little idiot kids trying to act like we know what we are doing.
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